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A convicted murderer is released from prison. His only possession is a broken figurine - the last token of his love. The tragic story of how he came to be incarcerated and the significance of the figurine is the subject of this tale of star-crossed lovers whose destiny is moulded by society's rigid rules and the villainy of a scoundrel.

Few homeless people take shelter in an empty luxurious house under the leading of a strange man.

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Periyasamy, an idler, hopes to enjoy life as a rich man by making his son, Murali woo Mynaa, who, he thinks, is the daughter of a wealthy jeweller. Little does he realise that Mynaa is actually the daughter of a beggar!

Chaudhary lives a wealthy lifestyle along with his wife and two sons, Suraj and Chander. His brother-in-law, Kataria, conspires against him, and after his demise, abducts both his sons so that his son can inherit the estate in its totality, leaving the two youngsters at the mercy of strangers, and perhaps, never to meet each other nor see their mother ever again.

Life of a man changes drastically when he happens to get a powerful device created by the aliens. To take back their creation aliens visit the earth and both of them battle it out.

Roopa, a beautiful young village belle is much loved by the villagers of Chandanpur. Chandanpur celebrates a huge Mela every year and this year, they invite a Minister to inaugurate it. In an assassination attempt that follows, a massacre takes place. Chandanpur is devastated and Roopa's family gets wiped out. She vows revenge. Into her life enter two men, the gregarious Kishan and the volatile Shankar, causing much upheaval in their relationship. Written by gavin@sunny_deol2009@yahoo.com Roopa lives in a small town called Belapur with her two brothers, Gopal and Ram an officer in the Indian army, and her widowed mom. A Minister from the ruling party comes to visit their town, and the Sarpanch, Mukhiya Murari, decides to organize a mela (fair) in his honor. The Minister arrives to the sound of dancers, trumpets and music, which does not last long as terrorists attack the town, killing and injuring many. The terrorist are headed by notorious bandit, Gujjar Singh, who has taken a fancy to Roopa, and would like her to be his woman. Soon Gujjar and his men take over the town, and he openly declares his affections for Roopa, who refuses him and calls upon Ram, to save her. Ram does come to her rescue, but is killed by Gujjar, and Roopa is abducted and hauled away. Roopa is told that she will never have a brother again nor will anyone dare to marry her, and that she will spend the rest of her life as Gujjar's mistress. In response Roopa throws herself down a cliff into a waterfall. She survives, meets with Kishan and Shankar, but tells them a different background story, and that her name Radha. Kishan is attracted to Roopa and both fall in love. When Kishan finds out that Radha is really Roopa, he gets upset with her. She runs away from him, back to her town, where she finds out that her mother is distraught, and her younger brother, Gopal, too has been killed by Gujjar. It is then Kishan and Shankar also enter this town, and after many discussions decide to set up a trap for Gujjar by organizing another mela. When Gujjar finds out that Roopa is back, he gathers together his men and they storm the town, and encounter some resistance - which they soon overcome. Soon Shankar and Kishan are at Gujjar's mercy, and it looks like history is going to repeat itself all over again - and this time Gujjar will make sure that nothing goes wrong.

An assembly of footage Antonioni shot of the 1977 Hindu pilgrimage to the Ganges.

We owe this year’s trailer to one of the great contemporary women filmmakers, Alice Rohrwacher. Shot on 16 mm film, it plays with the mystery of creation and the magic of light and shadow from which cinema is born. It’s an invocation to the return to innocence, which is the prerequisite for every new discovery, the driving force behind the eternal cycle of life. An excerpt from Pablo Neruda’s poem “Oda a la manzana” (“Ode to the Apple”), performed by the author himself, at the same time praises the film, the precious moment of a rediscovery and a new creation: Cuando mordemos tu redonda inocencia volvemos por un instante a ser también recién creadas criaturas aún tenemos algo de manzana. “When we bite in to your round innocence we too regress for a moment to the state of the newborn: there is still some apple in us all.”