Maria and Tom are in their thirties and have been married ten years. They live in a small town. Both find professional fulfillment in their jobs he in a design company, she at the town hall. They are working together on the decoration of their apartment and are expecting a baby. It seems that nothing is capable of disturbing their peaceful lives. But one day the mayor, who has long lusted after Maria, rapes her. She decides not to report this to the police. Nor does she tell her husband. From that day forth, their love is put to the test.

A prostitute is enlisted into the Security Services in order to steal some highly classified records just as the communist regime is about to topple. What begins as political intrigue deftly turns into a complicated love affair.

The protagonists are three women - Eve, Elizabeth and Anna. Years ago, they performed in one musical group, then their paths diverged. Eve made a career in the US, Anna also stayed with music, but did not succeed, and Elisabeth devoted herself to her family. Their reunion years later stirs up old conflicts, reminds of unfulfilled hopes and hurt feelings.

The action of the film takes place during the magical time between Christmas and New Years. The turmoil of love brings the three sisters to the romantic Sopot, where, as part of family deliberations, they have to decide what to do with their romantic life. Though they begin their stay on the couch, Bridget Jones style, they need to quickly establish a plan of action as their guys have just arrived in town begging for a second chance. However, to regain the sisters' trust, they will have to atone for their sins and win their hearts again. Will they make it?

Hanka Ordonówna is a star of pre-war Polish cabarets. The film begins in 1942 in the Middle East, in a British military camp located near the front line. Hanka runs a shelter for homeless Polish children. In her moments of respite, the singer, who is suffering from tuberculosis, recalls the various stages of her career.

A documentary about the cult of personality around Vladimir Putin.

拉法乌·维萨克的纪录片以自身经历的视角，为观众呈现了这位二十多岁的年轻人与其祖母之间的特殊关系。这位年迈的老人无法接受孙子的同志身份，即便他是她极为重要的人。由于笃信传统，特蕾莎无法摆脱道德的框束去看待拉法乌的性取向。同时，她也为孙子的未来忧心忡忡，因为除了与一位女性走入婚姻，她看不到一个年轻人的人生还能有第二种选择。

Tizoc wishes to eat a chicken by himself and have his own piñata. At Christmas his father Carmelo grants his wish.

Based on a non-fiction bestseller of the same name by Rolf Hochhuth, Eine Liebe In Deutschland is about a tragic and forbidden love affair between Stanislaw, a Polish POW (Piotr Lysak) and Paulina (Hanna Schygulla) a fruit-and-vegetable vendor in a small town in Germany along the border with Switzerland. Their affair would have gone undetected except for the busybody women of the village, and when Stanislaw is picked up by a German stormtrooper (Armin Müller-Stahl) and brought in for a mock trial, he is given a chance to prove his racial purity and so perhaps escape execution. As for Paulina, she is ostracized by the villagers and imprisoned for consorting with someone who was not of the same high Aryan caste as herself. Depressing, yet politically relevant to Poland of the early 1980s, this film by acclaimed director Andrzej Wajda) is an effective and emotional statement on the nature of oppression.

“Deep love has finally happened in Ukraine.” Perhaps the most prominent and radical figure in Ukrainian animation, Lyskov (b. 1983) crafts a surreal portrait of his home city Dnipro. Documenting how the people of the riverine metropolis weathered post-USSR storms of social upheaval, this colourful exercise in urban surrealism is a non-verbal phantasmagoria in which entities absurdly and oneirically intermingle. Essentially empathetic and humane, it explores the idea of “Kohannia”—defined by Lyskov as “a feeling that arises in the soul and has a connection with the transcendental and divine… which I do not see around me nowadays.” (N.Y.)