The lives of different sets of people residing in Kasimedu change irreversibly overnight after an unforeseen incident. What happens next and how does karma play a major role in their lives?

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A European artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.

《漢字》是一部用中文漢字探討國際設計，視覺文化和身份的紀錄片。這部電影探討了諸如語言如何塑造身份、手寫在數位時代角色等議題。《漢字》與來自不同國家的電影人合作，訪談者包括Chineasy創辦人薛曉嵐，著名的日本字體設計師小林章，中文字體設計師柯熾堅，還有世界上最後一個正體中文活版印刷廠日星鑄字行。 《漢字》鼓勵觀眾重新審視和思考自己的文化，語言和身份。

格鲁之所以有着如此庞杂的高精尖武器，多亏他的秘密工厂里有那么多的勤奋可爱却又有些秀逗的小豆们做出贡献。虽然不那么合法，不过新来的小豆也要首先进行岗位培训。通过录像，他们了解到各个岗位的工作内容和程序，以及规章细则。录像中的工厂井井有条，小豆之间彼此礼让，亲切和睦，这些美好画面让新丁们群情激昂，热血沸腾，恨不得马上在工厂里干出一番事业。不过呢，录像总归是录像，宣传毕竟是宣传，真正做起来又会如何呢？这不由得让人为这群顽皮憨直的小家伙捏了一把汗…… 　　本片为动画片《卑鄙的我》附赠短片。

我不想像一只鸽子那样，在你们的欧洲生活。

汉字侠·神奇汉字星球

汉字侠·神奇汉字星球

This is one of the most beautiful and mysterious shorts committed to film. Visuals are more like a moving painting than anything else I've seen. There are certainly elements of films like City of Lost Children in there, but taken to another level. Visually only Casshern comes close to this, for sheer depth of vision. It just shows you what is possible for people to achieve with some imagination. Too many film makers seem to want to use digital effects to create the most realistic looking sets/ extras/ stunts, when they should be concentrating on making it look as interesting as possible.

有人说，“中华民族是一个圆，周长可大可小，圆心无处不在，而半径就是汉字，汉字就是中华民族的向心力。”每一个中国人都依赖汉字所创造的文化而存在。该部纪录片包括《文明晨曦》、《尘封甲骨》、《鼎立九州》、《隶行天下》、《挥毫千秋》、《百年沉浮》、《方正流长》七个部分，以字体的演变贯穿的脉络，在浩繁的历史中寻找与文字演变发展有关的事件和人物，用汉字故事讲述中国文明的历史。