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A film crew try to get footage for their new show "When Bears Attack" from a hibernating Yogi and Booboo

Murder, Venice, relationships...it's a delicious concoction in the hands of crime novelist Donna Leon. Venice provides the backdrop for the lush film versions of the bestselling novels, which features the indelible Commissario Guido Brunetti, canal boat rides instead of car chases, fine cuisine and crime investigations in one of Europe’s most beautiful locations.

Lulu is a smart and independent woman with her own beauty salon in the suburbs. Leon is a habitual bankrobber with a heart of gold, and an insatiable knack for pulling off almost-flawless heists. But when Leon is arrested and sent to jail on their wedding night, Lulu is forced take over the reigns of his criminal enterprise - and balance being a housewife and taking care of their two children while fighting to clear her husband's name!

Leon, Flavia’s partner for eight years, has died. As Flavia mourns her loss, she is also confused, overwhelmed by daily tasks and situations which make her feel fragile and incomplete. Her very life is an unknown. Lucia, Leon’s daughter by his former wife, barges into Flavia’s life in search of the father gure who is no longer around. Her encounters with the child confront her with her own doubts and desire of being a mother. Flavia will have to resign herself to the fact that a life project has ended, and learn to find a new one.

改编自谢苗·所罗门诺维奇·尤什克维奇（Семён Соломо́нович Юшке́вич）的同名小说

The Hungarian Maria's Day is set in that most fateful of years, 1848. The incredible changes and reverses in European politics and culture exert a potent influence on one aristocratic Hungarian family. Losing virtually everything in the way of creature comforts, the family tries to keep up appearances. Eventually every member of the clan falls victim to illness, syphilis and their own headstrong foolishness. The parallels drawn by director Judith Elek between the dissipation of 19th century Hungarian aristocracy and the corruption of Communist ideology in modern times are inescapable. The work of filmmmaker Judit Elek is highly regarded in French-speaking countries. It is so esteemed that in 1987, Elek was awarded the coveted Chevalier de l'Ordre des arts et des Lettres by the French government. Her illustrious career began when she entered the Academy of Theater and Film Arts as the only female. She graduated in 1955 with other Hungarian directors such as Istvan Szabo. She and her classmates were dubbed Hungary's 'first generation' directors in 1961 and the Bela Balazs studio was founded just for them. Her best-known films, Istenmezejen 1972-73 and Egyszeru tortenet, are two docudramas about two young women attempting to escape the constraints of traditional attitudes within a Hungarian village. Elek spent four years in the village while making the films.

In a rendition of a father-daughter conflict based on misunderstandings, this melodrama focuses on Annette (Nurit Cohen) who has left home for the city where she is unexpectedly offered a leading role in a movie. She is excited as she returns home to tell her news to her father (Zeev Revach) -- a truly conservative shopkeeper -- but she is equally anxiety-ridden about his likely reaction.

Fox and Crow attempt to find the fabled Fountain of Youth.