NARRATION analyzes the principle of storytelling not only through artistic practice, but also as a form of interpersonal communication. In six connected Topics divided - The Setting, The Situation, The Narrator, The Approach, The Past, The Construct - NARRATION narrates of the elements that allow words and pictures and any Structural feature to form every form of a story.

Interdisciplinary studies put into practice is a plane on which HaF's interests and mine coincide. Ideas of fictional research projects in films emerge very early on, or of film as research device, allowing people from different disciplines to come together and discover something, to pursue a line of thought, or just be adventurous. These ideas correspond to a tendency we both have of accumulating knowledge from different sciences, for example so as to bring exact sciences like medicine together with subjects which aren't directly aimed at application, such as religious studies or anthropology.

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

阿拉什·西敏是一位备受尊敬的大学教授和节目主持人，更拥有幸福美满的家庭，一切都看似完美。不料，一篇指控他的匿名文章在社交媒体上开始流传，令他的“成功”人生蒙上阴影。是谣言，还是事实？在信息漫天的网络时代，我们与真相的距离究竟有多远？影片探讨了社交网络对人们生活的影响，更向观众发问：当遵循道德与追求成功两相冲突，孰轻孰重？