Petr and Richard are among those for whom fixed working hours are a nightmare. They want to be masters of their own time and not be subordinate to anyone. Petr also wants to fulfill his dream of becoming a great composer. The shackles of a regular job terrify them both. But money is a necessity, and they have to earn it somehow. How about trading in lies? Problems arise when they stop just trading in lies and start living with them in their private lives. Both realize that the situation is getting out of hand and that something needs to be done. Perhaps love is stronger than lies... But isn't love ultimately the biggest lie in their lives? Who will finally break out of the vicious circle? Petr or Richard?

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The young generation is not very at peace with the morality of their parents. In a story set in a Moravian village, the otherwise contented cooperators indulge in stealing from the common property without seeing anything wrong with such actions. After being reprimanded by their own children, they first get angry but then become ashamed. The result is a late agitational comedy that no longer deals with the peasants' entry into the agricultural cooperative, but with the mores prevailing there. The ideologically mature youth act as a guarantee of a happy future.

The screenplay is based on an authentic story of a robbery of a branch of the National Bank of Poland in Wolow. The thing took place in 1962, 12 million zlotys were stolen. For some time the perpetrators remained at large. Soon, however, the police came across their trail and the criminals were soon captured. And then the real bomb went off. It turned out that the thieves were not people listed in the police annals or even in contact with the criminal world. All the robbers had a reputation as "respectable citizens", by no means suffering from a lack of cash.

The misadventures of the Nováci family.

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Emigrants rarely do well abroad, which is why they often return to their homeland. At least, that's what the film The Poachers claims. But the long years of separation and different experiences create alienation, and the returnees lose touch with their loved ones. This is exactly what happens to the main character, who cannot understand the changes that the Czech village has undergone. Neither with his son nor with his wife can he find common ground. Although the director Hynek Bočan relies on expressive portrayal, the basic problem of the story remains its lifelessness.

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