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Zack Stone must return to Oblivion after his father is killed by the evil Red Eye. Zack is a pacifist but Oblivion needs a new sheriff to foil Red Eye and his gang of hellions.

《遗忘》（Oblivion）大约由三十幅图像组成。其中大部分图像都在反复出现，显得十分执着。尽管这些图像看似经过了中途曝光处理，但这部影片实际上是通过接触印相的方式制作的，将高对比度的黑白负片与同一图像的彩色正片结合在一起。高对比度导致画面经常出现过曝的现象。影片中的图像不断膨胀和对比，常常消失不见……

Kirovakan, Armenia, 1968. A street in the town is being renamed, but nobody seems to know whom after. A chance encounter between a student running late to his thesis defense, and a young woman determined to leave the town forever. 25 years earlier, Genrikh Zakaryan, a young resistance fighter, smuggles a secret Nazi operations map through occupied territory. Imaginings and history meld into one, echoes of past and future coalesce: “the fate of Genrikh Zakaryan is intangibly intertwined with the fate of today’s youth.”

In the alien-western world of Oblivion, a suave, yet lethal bounty hunter named Sweeney arrives to arrest the seductive outlaw Lash on multiple charges, including murder. Lash, who just "inherited" a mine of Derconium (the most valuable mineral in the universe) from Crowley in a game of cards, meets up with Redeye's brother, Jaggar, who wants the mine for himself to rule the galaxy. It's a fight over Lash between the sheriff of Oblivion, Jaggar, and Sweeney. But who will emerge victorious?

Documentary about the dangers of the nuclear arms race, including an interview with an eyewitness of the bomb drop on Hiroshima and scientific statements describing the devastating consequences of a nuclear war.

《遗忘理论》讲述了 1987 年加沙城患有广场恐惧症的卢迪的故事。当她的邻居们在外面为生存而战的时候，她则从窗户观察着外面的情况。

In a lucid dream, there is a pair of joined islands above the sea horizon. Ocean tide rises mildly when a sacred three-legged raven lands on the shore, then there follows the man in kendo armor. The man wakes up with a heavy headache in an abandoned attic upon the city center. He wonders whether he was then dreaming of a raven by the shore, or whether he is now the raven, dreaming he is an obsolescent warrior trapped in a busy metropolis.

One of the most intimate and obstinate filmmakers in Belgium, Boris Lehman acts, directs, produces, and distributes his films, single-handedly incarnating the essence of a creator who manages to survive on the fringes of his industry. From Brussels to Paris, friends, filmmakers and critics offer their understanding of a man for whom life is a reason to film, and film, a reason to live.