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František Brych, a principled lawyer, refuses to back the new Communist regime at his factory and grows increasingly alienated, even as his former love Irena, unhappily married to factory owner Ondřej Ráž, seeks his understanding. When he helps plan an escape over the Šumava border, the group’s panic and violence lead to murder, prompting Brych to abandon the scheme and return home with Irena.

if every bone had not been sucked hollow, the meat held for ransom. the yearling still struggling to walk, its hock bent backwards. its tongue meant to be peeled after boiling —

The film starts with the main character Laura, a young woman with advanced cancer, entering quite upset the home of her parents and claiming to have stopped chemo therapy and having left her husband. The worried parents call the other three adult daughters into the house and they arrive one by one. For the first time in 6 years the entire family is united again. The characters are drawn as tensions rise from old conflicts and as the situation sinks in that Laura might be terminally ill. The movie eventually shifts from a lively sometimes comical beginning into the serious theme of dying and does handle this quite tactfully and moving. While the film touches on many areas surrounding death (including religion, graveyard, care, eutanasia) the main focus is on the transformation of the characters that are thrown out of their busy lifes into this situation, eventually accepting it and dealing with it.

Diaries, correspondence and family film recordings reveal a unique view of the life and privacy of the citizens of the so-called Protectorate of Bohemia and Moravia… Young documentarian Ondřej Veverka approached dozens of witnesses of the protectorate times and their descendants to share unique film recordings and written testimonies with him from that time. The result is a three-part documentary that provides a unique perspective on the protectorate. At that time, perhaps more than ever, amateur cameras noticed ordinary everyday things, small joys and ordinary life. Perhaps so that one can at least for a moment succumb to the illusion that the world is actually still in order. But soon tragedy entered these shots as well.

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The friendship between Jorge Amado, Dorival Caymmi, and Carybé, artists who were largely responsible for creating an image of the culture of Bahia that persists to this day, and who believed that the strength of their work lay in documenting what they saw on the streets.

社，唐代以来地方的最小行政单位。社公，即土地公。翻看过往的个人短片时，我发现不经意间将社公剪辑到成片中。祂勾起了我的回忆。于是我多次前往家乡广东顺德，对伦教镇东西部的村落中60多个社公进行映像纪录。我想探讨这一中国传统民间信仰是如何植根地缘，植入个人记忆，塑造群体行为。 Se (Commune) is the smallest administrative unit since Tang Dynasty. Se Gung is also known as Soil-Ground or Lord of the Soil. I have found that I captured and edited Soil-Grounds in my video works unconsciously. That made me recall something. So I have got back to my hometown Shuntak, Kwangtung several times to shoot and record over 60 Soil-Grounds in Lunkao Town’s eastern and western villages. I want to explore how such a traditional Chinese folk belief roots geographically, imbeds in one’s memory, and shapes population’s behaviour.