After the Turia River overflows its banks, journalist Olvido and police sergeant Fermín investigate the appearance of six bodies with strange scars that point to a dark conspiracy.

图里亚河决堤后，记者奥尔维多（Olvido）和警察警长费尔明（Fermín）着手调查六具带有奇怪伤痕的尸体的出现，这些伤痕指向一个黑暗的阴谋。

Almudena receives news of her teacher's death. No one has heard from her in a long time. This leads her to investigate and rethink her life.

Ambitious, insensitive mother blocks daughter's marriage by telling her fiance a lie about her.

The life of Fermín goes by, divided between his work as a diablero and the confinement he lives in within his house. Like him, other families live in a vecindad in the heart of Mexico City. One day, a company colluded with the government threatens to evict the vecindad tenants in order to build a mall. Facing the threat of an eviction, the tenants join in solidarity to come out of their self-absorption and fight for a common cause.

David, a successful therapist, is the creator of a never-before-used method in modern psychology: a device that allows him to alter the most painful memories of his patients. His wife, Lucia, is the victim of a strange disease that will shortly end her life. The solution for David's plight appears in the shape of Sofia, a patient of David's who asks him to use his machine to rewrite her entire life.

Feature film that appeals to the memory of the last military dictatorship in Argentina.

Film by a Peruvian director living in the Netherlands, which tells the story of the Peruvian changes of the political scene from an interesting point of view – the bar tenders and street entertainers. The story focuses mainly on the frequency with which the Peruvian presidents change and how it affects the country. Corruption, assassinations, civil wars, poverty, and instability are the daily bread of Peruvians as well. Despite the film does not bring any major breakthroughs on views of the country and does not reveal anything of the country's political background it offers an interesting point of view from the country's "street folk".

65岁的退休老人帕斯夸尔·莱昂（Pascual León）发现了如何让自己在被诊断患有老年痴呆症后的最后几天变得有意义：在失去记忆抹去一切之前为过去的罪行报仇。

No hay olvido, composed of three parts, each directed by a young Chilean filmmaker forced to flee his country, is about the difficult condition of exiles in a specific political and social context, in this case, Quebec. The first part, entitled J'explique certaines choses, is in Spanish with French subtitles, and shows us more precisely the lifestyle of a group of Chileans. In Slowly, which forms the second part, we are asked, through Lucia, a young Chilean exile, the problem of integration into a new social environment. Finally, Jours de fer (Steel Blues), the third and only part available in English, is a cruel reminder of the harsh condition of the uprooted man who must find work at all costs to ensure his survival.