相处了一辈子，时间对于一对老夫妻来说，他们准备说再见了。 After a lifetime together, time has stopped for an elderly couples they prepare to say goodbye.

Harry Sterndale, a failed photographer, is given a diagnosis of cancer and told that he has only three months to live. After thinking things over, he decides that since he is dying anyway, he will kill or destroy all the people that ever crossed or hurt him during his life - after all, he will be dead anyway long before he can come to trial and get his just desserts from society. Harry hires an assassin to finish himself off in style, and even has time to fall in love with Jill. However, there's just one small problem with Harry's master plan - the cancer diagnosis is totally inaccurate and now he's got a hitman on his trail and several policemen wanting to talk to him about some murders...

A university boxing captain struggles between love and ambition as he secretly longs for a woman promised to another. When betrayal and heartbreak push him toward a professional career, loyalty and sacrifice draw him back—ending in a fight against gangsters, a lost championship, and a tearful farewell to youth.

A man is fired from his office job and at the same time he has a suspicion that his wife is cheating on him. The movie follows the desperate and dramatic reactions that the man makes up in his mind.

Parting Ways treats The Beatles with the respect they deserve and details their lives since the world's number one band fell apart.

An omnibus movie that shows the difference in perspective, conflict, and pain of parting between men and women through the images of couples breaking up.

两名阿富汗青少年，纳比和费列什泰赫相互坠入了爱河。然而由于阿富汗安全局势恶化，费列什泰赫的父亲决定为他的家人在伊朗寻求避难。于是，纳比和费列什泰赫被迫分隔两地。五年过去了，但他们对彼此的爱依然像以往一样强烈。随着时间流逝，尽管他的家庭多次被卷入部族冲突，纳比还是毅然决然地决定利用非法手段进入了伊朗，找到费列什泰赫并带她去欧洲。他坚信，与其留在阿富汗因种族或部落原因被杀害，还不如冒着非法移民的危险滞留海外。

最早公映的关于艾滋病的电影之一，也是Bill Shcrwood执导的唯一部作品，他在1990年时就死于艾滋病并发症。讲述一个患有艾滋病的同性恋者的故事。 同年代的电影相比，《离别秋波》没有《同窗之爱》的学院派头，没有《费城故事》的据理力争，它只有一个哀而不伤，感人却不矫揉造作的剧本，一班有血有肉，真情至性的平凡人。二十四小时的一天，迈克要为同居六年的伴侣罗伯特举行派对，表面是欢送他前往非洲就任，实则是为两人的关系画上句号。另一边，迈克的前男友尼克患上艾滋，将不久于人世。迈克对他仍念念不忘…… 这并不是一部我们想象的悲剧电影，因为不是从旁观者的角度来阐述，而是当事人的真情实感，因此带给人们的是理解和感动，结局倍感宽慰。 冥冥中，导演似叙述自己的人生感悟，拍罢此片四年后便辞世，享年三十八岁，死于艾滋。 值得一提的是演员斯蒂夫·巴斯米，是好莱坞演戏最多的黄金配角，他总共参演了百余部电影，许多还是主角，成为昆丁等前卫导演们的最爱。因为长得不帅，塑造了许多“丑怪”角色，例如《空中监狱》的变态杀人犯。巴塞米拥有着一张特殊的脸，在中年以后反而令他大红大紫，许多导演都很钟爱拍摄他脸部的特写，仿佛只要对着镜头，他的脸部就有一种分裂的英俊感，深蓝色的眼睛显得有点腼腆和寂寞。 《临别秋波》可以说是他第一次挑大梁拍片，演技自然纯熟，尚未表现出他后来的那种个性的边缘分裂特色，但他的表演已经深受肯定，那种忧郁孤独的气质和清奇的长相，微妙内敛的表情变化，好似有千言万语尽在不言中，让人拍案称赞。比起片子里的其他几位极其俊美的帅哥，巴斯米的形象反而更能深入人心，抓住眼球。巴斯米正是以自己的个人魅力成就了全片的核心，让观众从他会说话的眼睛中感受此片导演的心灵领地。

时光自然流转，情感细腻流动，思考渐次生发。真人短片《长河一日》以娓娓道来的轻盈叙事，深描家庭环境，体悟个人成长。