Volksbühne am Rosa-Luxemburg-Platz 1992-2017. The end of the GDR gave rise to new artistic freedoms in reunited Berlin. Shortly after the fall of the Wall, rebel director Frank Castorf was appointed artistic director of the Volksbühne. His way of working altered the public’s perception of this theater. The chronological history of the Castorf era between 1992 and 2017 is told here in excerpts from the productions and in a series of conversations conducted on the long sofa in the theater's foyer.

From the first days of the WWII, an underground Komsomol organization "Partisan Spark" was established in a small Ukrainian village Krymka, captured by the fascists. It was headed by a ninth-grader Parfen Grechanyi. Young underground members, yesterday's schoolchildren, led a brave and courageous fight against the occupants. Beginning with the defeat of a fascist convoy that was taking bread from the village, the Sparkers were terrifying the enemies with their combat operations. It was 1943. The organization grew and became stronger. One day a rash act of a desperate boy Shura Kuchera leads the enemies on the trail of the underground group members....

After the 8th September 1943 north of Italy is occupied by Germans. Italian army collapsed and the soldiers are escaped to the mountains trying to set up a resistance. Many civilians did the same and Johnny, an English literature student, is among them. Johnny avoids to band together the red partisans (communists) and tries to be part of the azure bands (former regular soldiers). But in both cases he is deluded by the partisan bands and discovers that the partisan war is less poetic and genuine that he thought. At one point anyway the partisans free Alba from Germans. When the city falls again in German hands Johnny escape with Ettore and Pierre. But, one after another, German army and Italian fascists captures the partisans and Johnny will pass the winter alone and isolated. He then finds the way to participate to one of the last attack to occupants, in fact the war will be over two months later.

An integral part of Greek folklore, Manolis Glezos is best known as the man who tore the swastika flag from the Acropolis during the Nazi invasion in 1941. Since then he has lived a mercurial existence; often caught between moments of glory and controversy as he continued to battle for his ideals. With the country knee-deep in a crushing financial crisis, Glezos is back in the limelight, elected as the oldest member of the European Parliament in 2014, at the age of 92. Yet he won't even discuss "the flag incident" refusing to be pigeonholed as a one-hit-wonder. Scolding, lecturing and joking along the way, he develops a tug-of-war relationship with the filmmakers, as they uncover the man behind the myth.

暂无剧情简介

The film deals with the Lithuanian partisan resistance. An actor is playing the part of a partisan in a play called "Bunker". During the play he experiences a hallucination and starts believing he's a boy who lives in post-war Lithuania. In 1948 the boy made a mistake which cost the lives of him and the wife of a partisan. Back in 21st century, the actor has a chance to fix that mistake.

2039年……一场席卷各大洲的第三次世界大战爆发。一名年轻男子和他的伴侣被困在一栋旧公寓里，在警报响起时，他拒绝前往避难所，并且拒绝接受任何历史意识。然而，悲惨的境遇使他不得不改变想法。第一天：《逆风之境》。韦科尔……自1942年起，这里就是抵抗运动的传奇之地，在这里……

崔志勋因犯事被分配到韩国有名的恶霸高中——大顺高中，这里的学生大多是有过犯罪前科的人，他们无恶不作，然而在这所混乱的高中，也有着独有的规矩，崔志勋想要重建大顺高中的秩序，就必须成为这所学校最强的校霸，这条称霸之路，并不容易.

荣获圣丹斯电影节世界剧情电影类的最佳摄影奖，《黑天鹅》文森卡索主演。 男孩亚历山大从小就被训练成一个杀手，与其他孩子生活在一个与世隔绝的村落，透过「父亲」果戈里的眼来认识世界，然而现在的他却渐渐对这个世界产生了自己的疑问，这些疑问也让他与「父亲」的关系陷入前所未有的考验。

Kyoto, Autumn 1969. The visit of the Japanese prime minister to the United States sparks violent clashes between the police and students. The film follows the activities of one of the revolt’s leader. A rare film that in Nagisa Oshima’s words, “has the effect of a bomb”. --- Kyoto, automne 1969. La visite aux Etats-Unis du premier ministre japonais provoque de violentes confrontations entre la police et les étudiants. Le film suit les activités d’un leader de la rébellion. Une œuvre rare, qui « a fait l’effet d’une bombe » selon Nagisa Oshima.