When Jen Marshall, an LA girl with a reckless personality and a laundry list of burned bridges, returns to New York and unexpected tragedy strikes, it is up to her mistreated friends to decide between helping her through this tough time or abandoning her - like she did them.

Exploring random things you see and use in everyday life. often debunking myths, satisfying curiosities and exposing just how things work that are difficult to see or replicate for most of us.

An early experiment in employing computers to animate film. The result is a dazzling vibration of geometric forms in vivid color, an effect achieved by varying the speed at which alternate colors change, so producing optical illusions. In between these screen pyrotechnics appears a simple line form gyrating in smooth rhythm. Sound effects are created by registering sound shapes directly on the soundtrack of the film.

暂无剧情简介

Sensory Perception is a sci-fi, feature length drama about Jeremy Jacobs, a "recovering" drug addict struggling to get his life back together. Things get even harder for him when he begins to have visions of an apocalyptic future. Stalked by strange messages and shadowy figures, he is persuaded that there's a way to avert this future disaster. Although, fighting through addiction, paranoia, and skepticism, he finds it difficult to convince anyone, even himself, that we can change.

魏东父亲去世较早，奶奶为了让孙子接受更好的教育，将魏东送到了重点高中就读。但这一切，都让魏东无法适应，杜鹃的出现，让魏东又陷入了更深的泥潭。

Mob Boss Nicola Santini, is forced to undergo a psychiatric evaluation to determine his ability to stand trial.

本片用影像和配乐组成对荷兰画家及装饰艺术设计大师埃舍尔作品的直观印象，是一次奇异的视觉体验。影片获1972年奥斯卡最佳短纪录片提名。 The work of the graphic artist Maurits Escher (1898 - 1972) is a play on perspectives: it creates an illusion of the impossible. Boundaries expand to infinity and floors become ceilings and vice versa. He repeats forms in an ever-changing perspective, and creates a circle of metamorphosis. Escher's world derives its structure from a lucid intelligence, from a tremendous imagination and from prodigious craftsmanship. It is a revelation, of vital importance to the study of graphic design. ADVENTURES IN PERCEPTION (1971) is Han Van Gelder's only film. 埃舍尔出生于1898年的荷兰北部。早于1916年，他已经熟识油耗浮雕印刷术。1917年，他在画家史蒂格文的印刷公司制作蚀刻版画。1919年，在贺林的建筑装饰艺术学院修读建筑学。当时得到美术老师梅斯昆泰的熏陶，对装饰设计艺术产生浓厚兴趣，尤其是木刻版画。自那时开始，埃舍尔的生活便于他的作品连在一起，在致给父母亲的书信中，他时常将工作过程一一道说出来。 埃舍尔多次表达数学上有趣的茂比乌斯带。当一条丝带被扭曲后，将两端连在一起，则丝带的正面和反面是相间地连接起来的。但这种曲面带的现象若由平面图画表达出来则毫不容易，1963年的《红蚁》便是这种题材的作品，也是一件稀有的埃舍尔套色版画。埃舍尔在他的著作中，指出特别偏好两色的外型结构，因为图形的本质需要，他才加上颜色。 1961年的《瀑布》是埃舍尔最后期的奇异建筑式图画，他依据彭罗斯的三角原理，将整齐的立方物体堆砌在建筑物上。这种不合情理的结构亦见于1958年的《嘹望塔》，作品中的建筑物和人物手持的立方体都是怪异的。埃舍尔的作品骤看起来没有什么奇怪的地方，但其实当中蕴藏的幻觉事物是最引人入胜的。参观者每每把他们认识的真实世界，与埃舍尔的虚构幻像相混比较，而产生迷惑。例如作品《瀑布》的流水穿流不息，完全违反地心吸力，所表达的图像是毫不合理的

There is little dialogue in Weston Currie's first feature-length film, The Perception of Moving Targets-a segmenting ogling gaze into four neighboring homes-and for good reason. The film's elemental shots do not ruminate upon their subject matter, they don't attempt to code or decode their objects, nor do they harry the realm of depictions. Rather, they plunge from the depths of psychosis for the purpose of jarringly alerting us to our own fragile loneliness. It is a psychosis that erupts from terror, the terror that occurs in those harrowing instances when we find our private subconscious bleeding into the material of the day-to-day, the real. The characters steamroll through effable routine towards a state that cannot be articulated, cannot be contextualized, but are alternately frozen in or revitalized from sensory paralysis. The visions, which are accompanied (and inspired) by the songs of Grouper, coerce the viewer to enjoy Sublime experience: to plunge into a porous space where ...

讲述渡念师夫妇利用自己的心 理学知识为客户进行催眠，帮助对方解决心理问题，然而在接到一个神秘邀请后，渡念师夫妇陷入了诡异的作家七宝设下的迷局，意…