宇宙大明星zero与其经纪人taeyeon的旅行日常。

一个男人坠入沙漠，失去了记忆。 他被兜甲儿收养，并被命名为大介。 凭借梦幻般的清洁能源·光子力所创造的财富，兜甲儿成为了大富豪和正义的伙伴， 有着两幅面孔的他在某种程度上对大介，这个非凡且有才华的人才寄予了信任。 在平静的日子似乎会持续下去之时，未确认的空中现象出现在世界各大城市的上空。 那是来自遥远星系的维加星联合军队的入侵。 人类被维加蹂躏，他们的武器远远无法与维加的武器相比。 钢铁城魔神Z自蓝色的水中站起， 地球的最后希望也在异形武器圆盘兽面前陷入困境。 在绝境中，掀起沙尘的出现了来自异星的魔神古连泰沙。 驾驶着它的是大介，他是被驱逐出故乡弗里德星的王子杜克·弗里德──

平和に他の星と共存していたフリード星だったが、ある日、宇宙征服を目論むベガ星連合軍の、円盤獣による侵略攻撃を受けて滅亡する。王子デュークはフリード星の守護神「グレンダイザー」が組み込まれた宇宙船スペイザーで脱出。地球に落ち延びたところを宇宙科学研究所の所長・宇門源蔵博士に救われ、養子“大介”を名乗る事にした。 一方、デュークの脱出成功を知ったベガ星連合軍の司令・ガンダルは部下・ブラッキー隊長に抹殺と地球侵攻を命令。 かくしてデューク・フリードの、地球を守るための戦いが始まる。

Alien invaders take over Great Mazinger who is at the entrance of a museum next to Mazinger Z as symbols of peace. Grendizer fights the evil invaders and Great Mazinger is recovered. When the Vegan empire dispatches a new general to oversee the takeover of Earth, he quickly manages to capture Koji Kabuto and, learning of Great Mazinger through interrogation, quickly commandeers it from a museum where it was kept as a symbol of peace. It is now up to Duke Fleed aboard Grendizer to stop humanity's former defender from becoming its destroyer.

主角范饼饼（高晓攀 饰）自幼对武侠充满热情，偶然获得一本武林秘籍后，走上了修炼的道路，并成为了胡同中的“霸主”。他参加了武林大赛并赢得冠军，逐渐膨胀的自信使他决定挑战国际泰拳比赛。然而，在比赛中，他的自信被瞬间击碎，遭到KO并被扔出赛场。这时，范饼饼被好心的阿茉救了。 阿茉的父亲莫老爹曾是一位厨神，但在经历了合伙人背叛后，莫老爹的生意崩溃，失去了味觉，陷入了债务和酗酒的困境。阿茉为了帮助父亲重拾昔日的辉煌，努力为他找回信心。她向范饼饼寻求帮助，并告诉他莫老爹曾是厨界的传奇人物。范饼饼在了解到自己拥有特殊的味觉天赋后，决定帮助莫老爹重新振作。这个故事不仅描绘了范饼饼从一个武侠梦想家到现实中的奋斗者的成长历程，还展现了他如何利用自己的特殊能力帮助莫老爹重拾厨艺。两人的合作成为了爆笑和励志的结合体，带领他们走向人生的新高峰。

【新闻】MYUNG FILM第二部长片动画电影《泰壹》将募集支持电影上映和一起合作的官方支持者\"泰东团\"。 《泰壹》是一部动画电影，讲述了1970年为改变和平市场和不当的劳动环境而激烈斗争的青年全泰一的故事。 演员张东润、廉惠兰、陈善奎、朴哲民、权海骁将为动画电影《泰壹》配音。 电影《泰壹》将于2021年上映，给观众带来感动。

影片讲述1970年为改变和平市场和不当的劳动环境而激烈斗争的青年全泰壹的故事。

中国职业选手林泰一，为好友而重伤他人入狱，服刑期间又因斗殴致左手轻微残疾，同时又在女友家人的阻挠下失去了女友。而后林泰一提前出狱，更是查出自己…

肥皂剧《泰莉莎 Teresa》由卡洛斯·波图加尔（Carlos Portugal）创作并担任制作人，改编自同名墨西哥剧集。该剧讲述了一位年轻且没有合法证件的拉丁裔女子来到洛杉矶追逐财富的故事。为了获取金钱和权力，她不惜采取一切手段。目前，该剧尚未确定演员阵容。

"Futurism" was an avant-garde artistic movement, created in 1909 ( as you can see your grandfathers were long haired and dangerous youngsters for a while ) that demands a rejection of tradition and the past while exalting technical innovations, especially the mechanical ones, present and future. This avant-garde artistic movement ( literature and music genres) found great acceptance in Italy where many artists developed the Futurism postulates. Herr Anton Giulio Bragaglia was a notable Italian Futurist who began experimenting with photography and published an important manifesto as a theoretical basis for Futurist photography, "Fotodinamismo Futurista". In addition to his career as set designer Herr Bragaglia had a short but intense film career, "Thais" being his debut as a Futurist director. In any case "Thais" is a film that combines in a strange way classicism and the ( Futurist ) modernism, a paradox since we know that the Futurists were people who rejected tradition and the"Thais" story is a very conventional one. It tells of a "femme fatale" who toys with and uses her admirers for her capricious purposes with the expected tragic ending. Classicism can be seen too in the beautiful images from evocative landscapes sequences as the ferry at the river or Bianca's race to the abyss ( "Naturalism" reminiscences?... ) or Herr Charles Baudelaire's poems ( "Impressionism" reminiscences? ) Only at the end of the film do we see the "Futurist" influences in the highly stylized and geometrical décors in which our heroine suffers her particular punishment, a sequence in which Herr Bragaglia's talent as a set designer is put to good effect. For those reasons for this German Count "Thais" is a kind of interesting film catalogue of many artistic movements ( curious artistic duality ) strangely mixed, a display of the spirit of those innovative early years that grants the film an artistic and remarkable balance as a whole.