Sunny, a young Asian American woman with anger management issues, returns home to the San Gabriel Valley seeking respite from her recent career failures - but a simple grocery shopping trip with her mother may prove more than she can handle.

A struggling filmmaker, unlucky in love, enlists the aid of a womanizing friend to create an exploitative documentary about online dating.

For all intents and purposes, 2015 was seemingly a banner year for singer/songwriter Bobby Choy (aka Big Phony). His melodic and quiet songs had garnered him a following as he performs at SXSW while also starring in his first feature film. However, returning back to the States from living abroad in S. Korea - has he made the right decisions in life, professionally and personally? Is he his own worst enemy?

小学生の少年が、夢をかなえるためにめぐり合った天使と織りなす物語を描いた短編作品。母親と2人暮らしの少年ロイは、近所に叔父も住んでいるが、昼夜を通して働く母の体が心配でたまらない。そんなある日、ロイは友だちから「公園に天使が住んでいる」という話を聞き……。映画の宣伝やドキュメンタリー、映画予告編の制作などに携わってきた新鋭・前野雄介監督の初の劇場公開作品で、絵本作家でもある木村玲による脚本を映画化した。

金晨孙阳银幕二搭演绎“骗中骗”，好笑100%，好颠100%❤️ 打工女孩林晴朗（金晨 饰）被渣男张子骏（王皓 饰）欺骗，一夜之间甜蜜誓言变成201314元巨额债务。诈骗头子欧阳晖（孙阳 饰）的意外出现，给林晴朗的生活带来新的转机，两人联合“碰碰车车神”董晓惠（李雪琴 饰）、“骗场老炮”柏仕通（王耀庆 饰）设局开团，与张子骏斗智斗勇。一对“欢喜冤家”，一队“骗子天团”，一场“骗爱游戏”，结局将何去何从……

这是一本书的非法影印本（同时也是它的注解、翻译、评论、同人创作），但内容与原始著作完全不同。它放弃了统一的形式，而是在不同质料之间复制、传递和变形；通过这种方法，虚拟信息被重新放回物质世界之中。

张一卿原本是堂堂一届公司总经理，却因为投资失败而欠了一屁股的债无力偿还。一次偶然中，张一卿在报纸上看到了华侨富商之女范如华（李丽华 饰）的征婚启事，于是开始觊觎起她的家产来。张一卿自己其貌不扬，于是找到了样貌英俊的发廊小弟小毛（石挥 饰）顶替自己前去应征。 实际上，范如华亦是骗子，她根本就不是什么千金小姐，而是同样经济拮据，渴望通过婚姻来摆脱困境的寡妇。就这样，范如华和小毛相约见面了，两个人都提请吊胆的生怕露馅。幸运的是，一切都在按照两人的计划进行，他们即将携手步入婚姻的殿堂。

昔日的职业骗子欧阳（孙阳 饰）和善良的保险员晴朗（金晨 饰）在分手半年后，为了帮助受骗女孩小彩，二人不得不再度合作，联手晓惠以及柏仕通设下骗局，引诱无良商人梁托尼上钩。骗局能否成功？两人的感情又将走向何处？

A Saint Laurent by Anthony Vaccarello and Vixens production, in coproduction with L’Atelier. Jean-Luc Godard often transformed his synopses into aesthetic programs. Drôles de guerres follows in this tradition and will remain as the ultimate gesture of cinema, which he accompanies with the following text: “No longer trusting the billions of diktats of the alphabet to give back their freedom to the incessant metamorphoses and metaphors of a true language by returning to the places of past shootings, while taking into account the present stories.”