A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to take the picture, the subject gets up to look at the camera more closely. The frustrated photographer soon becomes quite impatient.

A man's life is turned upside down when he receives a mysterious photograph in the post.

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NOT A PHOTOGRAPH documents the resurrection of the seminal post-punk band Mission of Burma, beginning in 2002 and continuing to the present. For a band deemed 'too ahead-of-their-time' during their initial existence, NOT A PHOTOGRAPH follows Mission of Burma's struggle to breathe new life into a tale that's already been recorded in rock's history books -- one that's placed them under the bright lights of acclaim, influence and legend.

年迈的老人独自生活在破败的公寓内，四周充满腐败的气息，虫子在抽屉里蠕动，老人将一块肉放进去，喂养这个卑微的小生灵。 隔壁的响动惊动了习惯平常生活的老人，他隔着墙上洞窥视，看到对面一位裸体的老妇人，失去伴侣晚景凄凉的老妇人不堪忍受孤独的残生，在老人的注视下上吊自杀。老人来到隔壁房间，带走了老妇人的相片和尸体，他将尸体塞到床下，接着又把虫子放了进去。第二天，虫子和尸体合为一体，老妇人复活回到人间。两个孤独的人儿以奇异的方式相偎走过余下的人生……

拉菲（纳瓦祖丁·席迪圭 Nawazuddin Siddiqui 饰）是一名摄影师，靠着在旅游景点帮游客们拍照维持生计。拉菲和祖母之间的关系十分的要好，年迈的祖母希望能在死前看到拉菲成家立业，为了安慰祖母，拉菲撒了一个善意的谎言，他找了一张自己所拍的游客的照片给祖母看，谎称照片上的女子是自己的未婚妻。 让拉菲没有想到的是，看了照片兴奋不已的祖母竟然提出要登门拜访，亲眼见一见自己未来的孙媳妇，为了圆谎，拉菲的当务之急就是找到照片中的女子。功夫不负有心人，拉菲总算找到了这个名叫米洛尼（桑亚·玛荷塔 Sanya Malhotra 饰）的女人，他恳请米洛尼和自己演一出戏。

During the dictatorship, a young man goes to Paris, where he seeks help from a solitary and almost misanthropic distant relative who works as a furrier. The young man carries with him the photograph of a singer whom he presents as his sister, thus causing a series of misunderstandings which trap him in a vicious circle of lies and fantasies. An allegory in the form of a modern-day tragedy of the “misunderstandings” and deceits of modern Greek History, as seen through the eyes of a Greek of the Diaspora.

Artist Hsu Che-yu (The Making of Crime Scenes, IFFR 2022) blends his digitally animated exploration of the relation between media and memory with an account of Taiwanese terrorist Yung Ru-Men, a bomb maker who idolised Japan’s suicidally-inclined United Red Army. The black-and-white images, presented as still frames, are patchy and unreal, like our memories; both physical places and human figures disintegrate – an oblique and compelling testament, probing unseen acts and murky motivations. 源自：https://iffr.com/en/iffr/2023/films/blank-photograph ------------- This work is a cooperation with the long-time collaborator, scriptwriter Chen Wan-Yin. A terrorist revisits the seashore where he practiced bomb-making and goes back to his home where he speaks a story about a suicidal scene. In 2003, Yang Ru-Men placed bombs on the city of Taipei more than ten times. Yet, none of the bombs was ignited. Yang’s action was later regarded as a struggle for farmers in the same vein of anti-neoliberalism and his sentence was mitigated. A few years after he was released from jail, his brother committed suicide at home. In this work, Hsu Che-Yu invites Yang Ru-Men to perform at two sites: the seashore and his house. At the seashore where he practiced bomb-making, he reenacts an operation and discusses the self-sacrifice resonance of the Japanese Red Army. In his house, he recalls a memory of a suicidal family member. The artist cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Yang Ru-Men. Hsu made a digital scan of the architectural structure of Yang Ru-Men’s house. With these digital models, the artist reconstructs the bomb maker’s personal memories virtually. 源自：http://www.hsucheyu.com/2022/11/blank-photograph.html

著名摄影师克里斯蒂娜·埃姆斯意外去世，留下与她疏远的女儿梅（Mae），梅感到伤心、愤怒，但又疑问重重。当梅发现一张藏在保险箱里的照片时，她开始钻研她母亲的早年生活——这项调查导致了她与一位记者的一段意想不到的恋情。