Your walls never looked this good. Walls were made to be decorated.

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Lithuania―circa 1941: An embittered elderly Shomer, a religious watchman responsible for guarding the souls of the dead before their burial, comes face-to-face with his long lost first love Leah when her dead body is wheeled into the morgue one fateful night. Time melts as he relives their days and nights spent hiding in a barn in Lithuania, fighting for survival as World War Two rages around them. Brought together in these extreme circumstances, what starts as mistrust develops into love, marriage and ultimately murder. In the end, the Shomer is able to find peace after a lifetime of regret by fulfilling a promise he made to the young Leah on their last night together. ~ Naomi Jaye. THE PIN is the first Yiddish film to be made in Canada, and was partly inspired by the writer/director’s late grandmother, Leah, whose personal phobia formed the core of this moving story.

This evening, for the summer ball, three friends have the brilliant idea of ​​“dressing up” as firefighters to flirt with girls. But their stupid project takes another turn when Joseph, already uncomfortable on the dance floor, finds himself embarked despite himself in a real firefighters’ intervention...

Panicker (Madhu) is an honest Public Works Department engineer who assiduously resists offers of bribes by an assortment of local building contractors. Panicker's one ambition is to see his son, Unni (Mammootty) succeed in medical school. Unni and his friends (Mohanlal et al) set up a "house of sin" right behind the college. The other boys are from wealthy families, to keep up with them, Unni starts by stealing from his parents, eventually taking bribes on his father's behalf without his knowledge. In the process, he alienates his father and gets thrown out of home, leaving his mother (Srividya) and cousin/girlfriend (Poornima) torn between the two men. The film equates bribery and debauchery with western popular culture influences - which was a fairly common theme across films in Hindi and Tamil as well around that time.

Uninspired and in her forties, celebrated photographer, Lana Freeman, searches for the elusive visual "perfect moment." When a young waitress saves her life, Lana believes she's found the perfect muse. But as she becomes more and more obsessed with the young woman, Lana pulls away from her husband, her work and the people who love her, not realizing that the muse could destroy her life.

A family becomes seperated during the evacuation of Seoul. Eventually the father starts another family. Several years later, he hires a tutor for his young children and is delighted to discover that he has hired his daughter.

Mark Radcliffe looks at the highs and lows of band life - the creative tension that produces great music and the pressures that come with success and fame, which pulls many apart.

Essentially a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin, this nearly 20 minute avant-garde short features repeated articulations of such random things as "Hello," "Where are we now?," and "Look at that picture" instead of music or standard dialogue. The narrative is decidedly nonlinear and perplexing, with no discernible plot whatsoever as we see images of Gysin working on his paintings and calligraphic designs and Burroughs rummaging through draws, packing a suitcase, giving a young man a physical, making a call in a phone booth, and waiting on a platform for a subway train.

An elevator operator and an engaged girl in love dodge the girl's fiancee and attempt to win over her father.