An abstract animated film, using computer and experimental techniques in choreographing quilt motifs and designs to music. A tribute to the unique and long-established art form of patchwork quilting. A film without words.

Welcome to “The Academy Awards of quilting”, a weeklong spectacle in which quilters from all over the world gather in Paducah, Kentucky every year for its huge quilt competition.

A period drama, the film is based on Ismat Chugtai's most celebrated story "Lihaaf" (published 1942). The film inter weaves the plot of same sex relationship between Begum and her masseuse and the trial that Ismat underwent after being slapped with a case of obscenity on publishing the story. The film raises themes of homosexuality and freedom of speech that our society is grappling with even today.

An abrasive, two-fisted longshoreman and a quiet calligrapher attempt to share an apartment.

A man with no illusions marries a young woman who is brimming with idealism. She attempts to remake her husband with her overflowing optimism, but the marriage is severely strained when her first pregnancy ends in miscarriage. They separate, and the woman has a number of affairs, but eventually she returns to her husband. They have a daughter, then settle down to a life that is a blend of the husband's worldliness and the wife's idealism.

Sampler quilts are by nature an amalgamation of different patterned blocks, techniques and experiments created by a quilter. Seemingly though each block is disparate in their qualities, they are held together by the container and boundaries of the quilt itself—the top, the back and the batting and quilt work holding each block together. Bay Area Sampler Quilt attempts to consider how a film can be like a quilt. How can built-in camera techniques, repetitions through contact printing, dying processes and other experiments employed mimic what a quilter might do in assembling their work? How can each frame be like a quilt block, expressing a different register of creative expression? And lastly, how can a film act as a container, holding both experimental forms, memories and a documentation of social relations? (Amy Reid)

红军长征时期，3名女红军借宿在湖南汝城县沙洲村村民徐解秀家中。见到徐家家境贫寒，家里连床御寒的被子都没有，临走时，女红军用剪刀把自己仅有的一床被…

剧作家Takeaka Tokio，有妻子妻子和孩子，却爱上了辍学学写作的Yokoyama Yoshiko。女生恳求成为他的学生，但是当其男友找到女生时，剧作家变得嫉妒。在要求其男友离开失败后，剧作家被女生抛弃，但剧作家仍然留下了强烈的遗憾。剧作家闻到女生留在蒲团中的气味，决定开始新的创作。

在美国的大家庭里有给即将出嫁的姑娘做锦被的习俗。此片的女主人公芬大学刚毕业，正在考虑是否接受同居多年的男友的求婚。这时她回到家中与亲人团聚，顺便也向她们请教。这些长辈不但积极地支持她组成家庭，而且把自己的婚恋经验讲出来与她分亨。大家立刻着手合力制作一条锦被，准备在婚礼上送给她。短短几天里，芬受到莫大关爱，她树立起坚定的信心。这是一部浪漫温情的家庭剧，犹如一篇散文，将婚姻和家庭的意义与责任借助一些细小的琐事娓娓道来，别有一番滋味。

This film recounts the lives and deaths of various victims of AIDS who are commemorated in the AIDS quilt. It is a massive cloth collecting each piece as a memorial for each victim of the disease to both show the death toll and to show the humanity of the victims to those who would rather demonize them.