A girl. A boy. A challenge. If we play the repeating game, how far would you go?

In March 2020, an Argentine woman flees New York with her Peruvian husband for his family’s empty beach house outside of Lima, whereupon an unplanned pregnancy precipitates the destruction of her marriage. In the present, she rips the moments of this narrative from their context, and reconstructs her story to reckon with her profound feeling of loneliness and the experience of time in which it has trapped her.

Dandelion Records and DVD's present Probably the nearest you will ever get to an official documentary on Mark E Smith and The Fall. Put together over a period of 13 years by three Danish Fall fans and with full involvement from Mark E Smith this film gives a real insight into the mechanisms of The Fall. Features many live clips and rehearsals of both The Fall and Smith and Ed Blaney. The cast list includes Mark E Smith, John Peel (a real in depth contribution from Peelie), Henry Rollins, Thurston Moore, David Gedge, Stephen Malkmus, Dee Dee Ramone, Peter Hook, Grant Showbiz, John Cooper Clarke, Damo Suzuki, Gary Lucas, Ed Blaney, Jim Watts, Spencer Birtwistle, Ben Pritchard, Zlatko Buric, Alan Wise, The Other Dave and Fall Fan Dave. Bonus material includes a great interview with Mark E Smith in what was his favourite pub near Heaton Park in Manchester (sadly the pub is now closed)

The first of Schroeter’s series of documentaries about theatrical performers, Dress Rehearsal began as a commission by German television for a short report on the 1980 edition of the World Theatre Festival in Nancy, France. Inspired by a number of the performers at the festival, Schroeter created instead a feature-length film essay. In particular, he focuses on Pina Bausch and her troupe from the Wuppertal Tanztheater, the Japanese butoh dancer Kazuo Ohno and the American performance artist Pat Olesko. Out of an engrossing and entertaining collage of various impressions from the festival, including rehearsals, performances, interviews, readings and encounters onstage and off, Schroeter develops a meditation on the relationship between art and politics and presents an early formulation of his ideas about performance as a form of love.