Bob Hope returns to his stage role in this updated theatrical TV presentation of the musical

When Jonathan Fishman, a young Manhattan computer specialist randomly encounters a prostitute he is shocked to recognize her as Roberta whom he knew when they were both children. To the dismay of his friends, his business partner and his new girlfriend Judy, Jonathan decides to help Roberta off the streets by moving her into his apartment and teaching her the skills necessary to find an office job. What begins as a seemingly altruistic gesture reveals itself as an unwavering obsession, and his life slowly unravels.

We follow Roberta's transition from youth to adulthood. It is an intimate portrait of a person who is floating in time and space, without finding purpose in life. She doesn't want to be bothered by society, but cannot deny that she's dependent on it.

According to Roberta, she doesn’t want much from life – to live quietly and be a good person, but also, very importantly, not to be bored. She doesn’t have ambition to be the best, she’s not seeking education, a better job or a more comfortable home. She exemplifies perfectly the spirit of the time – of economic and spiritual instability, uncertainty and constant change. The film tells the story in two strands. One is a chronological retelling of Roberta’s life events: one day she is a punk girl in one of Vilnius’ night clubs, the next,a responsible nanny in Reykjavik. The second strand consists of Roberta’s mesmerising and often co- mical monologues that bring us closer to her world and allow us to see things through her eyes.

Housewife and grandmother Roberta struggles to fit the conformist society she lives in and turns to amphetamines to cure her boredom.

Deceit, perversion, and an unseen murderer follow a wealthy socialite through Italy as her mind breaks down into madness.

暂无剧情简介

影片根据真人真事改编，以1944年的里约热内卢郊区的精神医院为背景，讲述从医学院学习归来的女医生尼斯·达·西尔维拉回到医院工作。她拒绝采用新型高强…

John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band). John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable "Roberta" gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her. Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. "Countess Scharwenka", a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer. Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish. When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce. Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time. John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation. The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.

一位满心悲伤的女人在自家客厅里种下一座花园，以此追寻最理想的死亡方式。