Hidden behind the name of the most famous of flowers there lies a homage. To what? To the color red, to flushing women. To women enraged by justice like Rosa Luxembourg; to women engaged in the austere precision of an art of truth like Danièle Huillet. Because - it is quite clear and the dates in the subtitles in the credits confirm it (1916/1936/2006) - the voices of one or the other cross the "botanical symphony" that reveals the images in sequence. It is the latter's concern for precision that is heard in the diction of the letters written in 1916 by the former. While Rosa Luxembourg is known for having been the heroic organizer Spartacist, who was assassinated by the police in 1919, it is another timbre than that of combative militant that resonates here. "Do you remember what we were planning to do when the war is over?" she writes to one of her correspondents. Such is the subject matter of these letters: the certain memory of the future. The hauntingly insistent reminder of the causes for which the struggle must be led. If a revolution is to be undertaken, and with all the necessary devotion, it is, to exclude oneself from a project bound to the rational. To what end then? To rediscover the gracious and inconsequential innocence of the original garden. To become animal or plant again, nature without fatality. Return, all in all and according to a familiar messianism, to Master Eckhart's famous mystical program "the rose does not have a why". In this first long film, Anne-Marie Faux celebrates the passion of unhindered floral existence without yielding anything to the demands that such an ambition requires.

Story of daydreaming rebellious Rosa searching for love from her teenage years to her deathbed.

Nine-year-old Rosa, the second of three sisters, feels often like the outsider, wherefore she isolates herself in her own little world. In this small world Rosa looks at her big sister Anna with a mixture of jealousy and admiration and she envies her little sister Helena for the moments she shares with Anna. While Rosa strives more and more to be like Anna, the tensions between the three sisters grow slowly and Rosa's jealousy begins to live it's own life.

A short film based on the work of choreographer Anne Teresa de Keersmaeker.

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After being touched by a patient's story, a psychiatrist learns the hard way that appearances are sometimes deceptive.

Every day, Rosa opens her store. Today, something will be different.

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ROSA is a film on the brutal reality of Russian women who, after the fall of the Soviet Union and establishment of diplomatic ties between Korea and Russian in Sept 1990, come to Korea in pursuit of the Korean Dream but are degraded to ultimately become Russian escort girls in the entertainment districts of Seoul. Dreaming becoming a ballerina, Rosa gets a job at a nightclub in Seoul to earn school tuition. She also gets the E-6 working visa through an Korean agent she contacted from a Uzbekistan newspaper. She thought that if I can dance in Korea, I will be able to earn money and become successful. It was a naive dream. Slowing becoming a slave of sex.

Unhappy with what he'd got from life, Pedro Diabo becomes a dread outlaw, whom the police is looking for. In his life of crime, he has the love and support of a strange woman, Rosa Meia-Noite, chorus girl who likes to wear rich costumes in Carnival Balls.