Seul de Jean Tarride France/1932/46'/35mm D'après Henri Duvernois. Avec Pauline Carton, René Lefèvre, Julien Carette. Un garçon pauvre habite les combles d'une maison de grand standing. Lors d'une soirée, il fait la cour à une jeune femme élégante qui, sans le prévenir, vient le surprendre chez lui.

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After his fiancée leaves him, Tom finds himself alone and helpless. He has to wash his clothes himself and so goes to the laundromat. There, he meets a quaint tribe and opens up to a new world and incredible horizons.

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Young model Ariadna is suddenly called away from the catwalk to attend her grandmother’s funeral in the small village in Georgia where she was born. After an awkward reunion with her embittered mother she learns that, as the youngest member of the family, she is expected to carry out a special ritual. An ancient tradition said to refer to the Greek myth of Ariadne and her thread. Reluctantly, she sets out to fulfil this strange assignment, which will nevertheless prove pivotal in her own life. Bebia, à mon seul désir demonstrates great feeling for physical detail, atmosphere and how people treat one another, all of which are closely entwined with flashbacks in which Ariadna thinks back to her childhood. The stylish black-and-white photography with a poetic twist is not only reminiscent of classic cinema, but also lends the story a timeless character. Ariadna’s confusion is caused not only by her clash with her mother, but also the pain from her youth – the feeling of not counting – which still oppresses her. The performance of the ritual, intended to show her grandmother's spirit the way to the grave, unexpectedly leads Ariadna back to herself. Helped by a philosophically inclined young man wracked by doubt, she obtains new insights into her life and the people in it. Struggle and conflict need not be obstacles to enchantment.