魔鬼教师 大战劣生 “齐齐哈尔同乡会林天光纪念中学”是九龙 城区一所band 3中学。学校成绩不但不如人意，更是区内出了名云集坏学生的学校！虽然该校保龄球队曾经称霸学界，但时移世易，已今非昔比了… 耀华出身于纪律世家，祖父罗振邦打过游击、亡父是殉职华籍英兵，受到二人薰陶，自小立志投身警界。奈何母亲独力养大耀华，不欲他重蹈其父覆辙，孝顺的耀华最终选择当上“齐齐哈尔同乡会林天光纪念中学”老师。耀华支持荀子“性本恶”之说，认为人要先管而后教，主张以严刑峻法管治学生。 如此一个着重法纪的阿Sir，遇上顽劣至极的学生，当然水火不容，尤其公认为老师杀手，人称Killers 4（简称K4）的四大恶人，战事一触即发！横行霸道的K4，为了推翻耀华的“极权”管治，设局陷害，竟让他蒙上“偷窥狂”的不白之冤… 转职警界 反成“无间道” 耀华有感学生无药可救，心灰意冷，愤然辞职！适逢耀华母亲病情告急，临终遗言，不再反对他圆其警察梦！在振邦鼓励下，耀华决定投考督察，可惜失败而回。正当失望之际，耀华接到警司潘国诚通知，已获取录加入警队，唯一条件，是要当卧底，重返昔日的英雄冢－齐齐哈尔同乡会林天光纪念中学！ 事源早前一架运载废铁的货车被人驾劫后于马路翻侧！警方于废铁内，发现软性毒品的痕迹，再结合线报，怀疑一个黑社会集团正布署于全港学校建立毒品网络，而九龙城区将是下一个目标！偏偏耀华曾于学校任教，重返学校当卧底老师，一定毫无破绽！ 热血妙雪 春风化雨 为了一圆警察梦，耀华虽万分不愿，也接受任务！如今的耀华，已不再重视学生的纪律，反而希望学生越坏越好，有助调查工作！故此，他一改昔日严格作风，更特意奉承巴结头号监视对象K4，以便搜集资料！但K4无视耀华，使他毫无头绪… 期时，学校新来了一位热血女教师何妙雪，放弃一份任教band 1学校的优差，来到这所问题多多的学校，目的是要春风化雨，不单要教授学生书本上知识，还要引领他们重回正轨！妙雪相信“人性本善”，对于持相反意见、坚持“人性本恶”的耀华，认定妙雪那一套行不通，更不时暗地嘲笑她过份天真理想化！但经过一次又一次的学生个案，妙雪的锲而不舍、真心真意，终打动了学生，甚至K4也与她缓和关系，愿意开展友谊！一直讨好K4的耀华，不得不对她另眼相看！ 耀华亦因为查案，从新认识学生，发现他们、甚至K4，并非想像中坏…... 　　掌握证据 破案有望 在耀华开始怀疑是次卧底行动失败之际，学校来了一位转校生蒋进，重燃起耀华破案的希望！蒋进父亲蒋洪乃老牌社团东升社的前坐馆。一次，蒋进闯祸，险些命丧枪下，幸得??耀华及勇探程文力及时赶至把他救出！蒋进对耀华放下戒心，答应乖乖留校完成学业。 经此一役，蒋洪视耀华为救子恩人，把他视为朋友看待！实际上，蒋洪一直反对蒋进步其后尘，不想唯一剩下的儿子命丧黄泉，多年前已金盘洗手，退隐江湖。但耀华对退隐一事半信半疑，故乐得乘势接近蒋洪，以了解东升社与毒品案有否关连… 调查中，耀华发现蒋洪的生意全为“见得光、要交税”的正当行业。调查断了线，耀华茫然若失，与国诚商量鸣金收兵之际，无意中从蒋洪口中得知，早前聘请回来的保龄球队教练古嘉岚，与新兴社团进兴掌舵倪锋有莫大关系！ 嘉岚保龄球技术高超，但其高傲冷酷个性，却让人敬而远之。故此，任教多时，师生们对她仍是一无所知！事实上，这正是嘉岚刻意使然，目的是要掩藏其不可告人的家庭背景：嘉岚的家姐古嘉倩，正是进兴掌舵倪锋的妻子！ 校园情史 关系复杂 耀华为收集情报，伺机接近嘉岚，而嘉岚亦暗暗对他倾慕。国诚再结合线报，证实锐意建立校园毒品网络的社团，正是进兴！为了将社团一网打尽，国诚令耀华乘胜出击，对嘉岚展开追求！ 耀华一直嘲讽妙雪对人过份热心，偏偏因为这颗无私善心，救了意外昏倒街头的振邦，蓦然间，耀华对她暗生情愫… 没料到妙雪原来不知不觉间对耀华情根早种。眼见耀华另结新欢，她只好将爱意收起。与此同时，成为学校联络主任的文力，被妙雪的善良吸引，萌生爱意，主动追求，形成一段错综复杂的四角关系… 阿SIR情义两难全 耀华因追求嘉岚而与倪锋关系渐见密切。耀华一步一步进入进兴的心脏地带，终于皇天不负有心人，找到实质证据，以为可以把进兴一网打尽！但魔高一尺，倪锋将所有犯罪证据推到其手下盛世龙身上！虽然倪锋暂时脱身，不过进兴的元气重重受挫… 后来，耀华发现嘉倩也有帮倪锋贩毒。倪锋知道后催逼耀华和嘉岚赶快结婚。逼于无奈的情况下耀华向嘉岚求婚。到了办婚礼的时候嘉岚要求在嘉倩的电脑拿回小时候的照片。耀华捉紧了这个机会并拿到了倪锋和嘉倩的贩毒证据。可惜嘉倩爱夫深切把所有罪名推到自己身上。倪锋却无罪释放，出来后的倪锋势必不会放过耀华。 另一方面，校董会传出有意杀校消息，若而学生成绩或运动方面，无一改善，便考虑停办学校！消息传出后，全校震惊，急谋对策！紧张关头，全校师生上下一心为考试和比赛准备。

《Ben Sir睇樓團》又再出動！Ben Sir(歐陽偉豪)帶領陸浩明、麥美恩、林穎彤、余思霆、孔德賢、嘉賓走勻港九新界離島，按每集Hashtag主題搜尋合適樓盤。除了見識不足二百呎的龍床盤，也一睹南區售價近四億的獨立屋面貌！ 想平？日本大阪有樓不需花錢就可入住，先要符合甚麼條件？泰國曼谷、芭堤雅的樓價又怎樣？主持們還大派外地置業錦囊，分析樓市走勢，讓大家了解注意事項及港人限制，輕鬆買磚頭免中伏！

《男人食堂》中由香港本土语言学家欧阳伟豪(Ben Sir)执教的“粗口学堂”，引起大家对中国文学及文化的关注，其招牌拍手亦成为热潮。“好Ben劲”的Ben Sir再度走入教室，精心打造三堂课，继续用独特的方式解构香港文化，实行“认真地搞笑、严肃地幽默”。 粤语文化博大精深，“静静鸡”与“静鸡鸡”，哪一个环境比较安静？Ben Sir还组成“港式游学团”，带大家到兰桂坊大谈港式追女仔文化。嫌“追”女仔已落伍？Ben Sir教你“沟”女招数，不成功不收费！讲真，三课都在翡翠台免费播放，点收费！

Here is what happened in a Toronto classroom when teachers occupied the children's desks and children became the teachers. The film grew out of another, Mrs. Ryan's Drama Class, where young children found their way into creative drama. There is food for thought in this impromptu reversal of roles.

暂无剧情简介

Sir! No Sir! is a documentary film about the anti-war movement within the ranks of the United States Military during the Vietnam War. It consists in part of interviews with Vietnam veterans explaining the reasons they protested the war or even defected. The film tells the story of how, from the very start of the war, there was resentment within the ranks over the difference between the conflict in Vietnam and the "good wars" that their fathers had fought. Over time, it became apparent that so many were opposed to the war that they could speak of a movement.

Sir Sir Sarla explores the complexities of love through three interconnected lives. University students Sarla and Phanidhar share a deep affection for their professor, Palekar, but in very different ways. Sarla is romantically in love with him and dreams of a future together, while Phanidhar's feelings are a conflicted mix of admiration, resentment, and blame. He believes the professor's decision to distance Sarla and encourage her marriage to Keshav has left all their lives unfulfilled. As Sarla finds herself neglected in her marriage, old wounds resurface, leading to a series of confrontations that leave the audience questioning whether Professor Palekar's choices were truly the right ones.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.

Sir is a 1993 Bollywood film directed by Mahesh Bhatt starring Naseeruddin Shah, Pooja Bhatt, Atul Agnihotri and Paresh Rawal.