A woman deals with her mother, an arts professor, plunging into chaos due to Alzheimer's.

A student makes a fortune in Mexico, is blinded in a war, becomes a teacher, and weds a reformed flirt.

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The life of a woman through the tumultuous years of Korea's modern history.

Since the 1980s, famed cellist Sonia Wieder-Atherton has been present in much of Chantal Akerman’s work, whether through her numerous collaborations soundtracks, or as a protagonist (as in Rue Mallet-Stevens, 1986), or in this case, as the subject of an extended documentary portrait. The film begins with a voiceover from Akerman, describing and situating her subject, after which Wieder-Atherton takes over the narrative, sitting before the camera for an extended presentation of her life and art. Wieder-Atherton then performs some short pieces by Claudio Monteverdi, Luciano Berio, Leos Janacek, Johannes Brahms and Franz Schubert, either solo or accompanied by a small ensemble. As well as insights into an artist, this film offers a precious cinematic moment of listening.

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Vanya and his stepsister Sonia have lived their entire lives in their family's farmhouse. While they stayed home to take care of their ailing parents, their sister Masha has been gallivanting around the world as a successful actress and movie star, leaving Vanya and Sonia to feel trapped and regretful. Their soothsayer/cleaning woman Cassandra keeps warning them about terrible things in the future, which include a sudden visit from Masha and her twenty-something boy toy Spike.

It’s the city that gave birth to The Beatles, inspired Gerry to ride that ferry, and spawned Bunnymen and Atomic Kittens. Now with all eyes – and ears – on Liverpool for the 2023 Eurovision Song Contest, a look into the BBC’s archives for a selection of performances from some of Merseyside’s biggest and best-loved musical stars.

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