A day in the life of factory worker Rudolf S. Trapped in a routine existence, he takes refuge in dreams, visions, hallucinations... and the South Seas.

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Hamburg student Richard Kirbach indulges in an unusual hobby: he plays chess via shortwave with Arnold Pieper, an old German coconut planter in the South Seas. The men, who are so different, become so close that one day Pieper asks the young man for a big favor. Arnold has a capricious and rather volatile daughter named Lale, who, in his opinion, gets up to a lot of mischief in Europe. To put an end to this, Pieper quickly asks Richard to marry Lale, who is unknown to him. In order to make the marriage attractive to him, the fat old man also offers “prize money” of $5,000, which the poor student could really use.

Host Matthew Lillard welcomes four teams of killer cake artists to an abandoned warehouse, where they will compete for $20,000 and the Golden Knife trophy. They will work with some of the best horror special effects artists in Hollywood to bring their cakes to life and scare the hell out of the show’s expert judges—Scream Queen Danielle Harris and food artist and Halloween aficionado Nikk Alcaraz.

A family spends their vacation in the basement so that their neighbors don't notice that they can't afford to go on vacation.

The film depicts one of the great hunts the South Sea Islanders. Come schools of fish in one of the bays on the island, so hurry on an alarm signal all the people out to sea to seal off the bay to drive the fish towards the coast and to impose there with spears.

A musical tribute to brothers George and Ira Gershwin

暂无剧情简介

[S] is a loop that exposes the lifespan of infinity. The film delves into an immersive loop of organic forms, reflecting on the entangled nature of life and art.

S represents the middle section of the trilogy Körper, S and noBody by Sasha Waltz. The piece acts as a connective link between the investigation of the physical being in »Körper« and the metaphysical being in nobody. While sexuality and Eros are all but absent from these two pieces, with »S« they constitute central themes. The New York musician Jonathan Bepler, renowned for his long-standing collaboration with Matthew Barney on Cremaster Cycle, composed the room-encompassing original music for the production.