This experimental film delves into the century-old history of Hong Kong’s iconic tram system. Through a nonlinear collage of industrial materials — wood, concrete and steel — the film reconstructs the tram as a contested vessel of cultural identity, embodying the tensions and transformations of urban modernity.

The mischievous antics of a small tram car create a dangerous situation in the city, ultimately reminding the young tram of its daily duty - to transport people.

In occupied Belgrade, a writer considers ethical dilemma of a professor involuntarily involved in a difficult situation, which forces him to choose to be for or against the resistance movement.

After a tragic accident that resulted in a person’s death, the one responsible lives an unreal, ghostlike life: the protagonist constantly rides a dark tram whose passengers are his old acquaintances from his former, real life.

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Two preschoolers decided that at night the streetcars go somewhere to rest and if you get on a streetcar late at night, you can go to another city.

Boško Tokin, the hero, was the first filmmaker in the Balkans and the first in the world to go to prison for it.

The film observes and records the people travelling, adding to this very simple but effective visual set a pure (and magic) pot pourri of designed and recorded voices and sounds. Hereby not only the people become human beings alive, but also the city awakens.

故事讲述的是，清晨的公交电车上发现一具女尸，死亡的时间恰是电车最后一班行驶的时间，凶手究竟是如何当着所有乘客面进行杀人犯罪的呢？负责侦破的警长只好从案发当晚此班电车中所有的乘客身上一一着手调查，试图揭开秘密的真相。

The film tells about the life of the Soviet country in the 30s of the twentieth century, based on the feuilletons and notebooks of famous writers Ilya Ilf and Eugene Petrov…