This experimental film delves into the century-old history of Hong Kong’s iconic tram system. Through a nonlinear collage of industrial materials — wood, concrete and steel — the film reconstructs the tram as a contested vessel of cultural identity, embodying the tensions and transformations of urban modernity.

The mischievous antics of a small tram car create a dangerous situation in the city, ultimately reminding the young tram of its daily duty - to transport people.

In occupied Belgrade, a writer considers ethical dilemma of a professor involuntarily involved in a difficult situation, which forces him to choose to be for or against the resistance movement.

After a tragic accident that resulted in a person’s death, the one responsible lives an unreal, ghostlike life: the protagonist constantly rides a dark tram whose passengers are his old acquaintances from his former, real life.

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Two preschoolers decided that at night the streetcars go somewhere to rest and if you get on a streetcar late at night, you can go to another city.

Boško Tokin, the hero, was the first filmmaker in the Balkans and the first in the world to go to prison for it.

A morning tram over-occupied with passengers, but more and more people are trying to get in there. Inside, the life fountains. Someone talks about their troubles with children, somebody experiences a personal trauma, others can not stand up to quarrel, neighbors discuss a TV-series... All the events where usually, at least in the days this cartoon was created, common Ukrainians are involved in on their way to job-places is shown in this curious, vivid and witty claymation.

The film observes and records the people travelling, adding to this very simple but effective visual set a pure (and magic) pot pourri of designed and recorded voices and sounds. Hereby not only the people become human beings alive, but also the city awakens.

An unwanted encounter between an "acrimonious" middle-aged lady and a young black man. A comedy on everyday's racism in a Brussels tramway...