Christian Thielemann conducts the Bayreuth Festival Orchestra in this production of Wagner's opera recorded in 2015. Starring Stephen Gould as Tristan and Evelyn Herlitzius as Isolde, the cast also includes Georg Zeppenfeld, Iain Paterson, Raimund Nolte and Christa Mayer.

Belgian opera film of Wagner's opera.

The hardest thing is saying goodbye to the one you love. After being diagnosed with terminal cancer, Roger was told he had only months to live. His partner, Tristan, struggles to talk about the illness, and Roger finds it just as hard to open up to him. As a prison counsellor, Roger is used to helping others face difficult truths, but this is his toughest challenge yet. With the help of ex-convicts who have become his friends, Roger stages imagined conversations in the places he and Tristan often visit. His friends step in to play Tristan, helping him search for the right words, the right moment, and the courage to be honest. As Roger confronts his own mortality, he begins to understand that even in the face of death, there is still space for connection, for lightness, and for love in its purest form.

RICHARD WAGNER - Tristan und Isolde - Bayreuther Festspiele Stephen Gould, Evelyn Herlitzius, Georg Zeppenfeld, Iain Paterson, Christa Mayer Bayreuth Festival Orchestra, Christian Thielemann Staged by Katharina Wagner

After decades of marriage, Marie-Luce and Bernard, traditional Catholics with a once dazzling libido, face the erosion of their relationship. Marie-Luce is convinced that if their son Tristan leaves the nest, she could regain her husband's attention. But he, like a clinging vampire, seems unwilling to fly the coop.

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Inspired by Wagner’s own tortured affair with the wife of his patron, this searing masterwork is based on Arthurian legend and tells of an illicit romance between a Breton nobleman and the Irish princess betrothed to his uncle and king. The composer’s larger-than-life sensibilities are on full display throughout the score: Along with intoxicating orchestral music that surges in tandem with the couple’s burgeoning passion and a chord left symbolically unresolved until the last moments of the opera, the opera also features one of the repertory’s most soaring and ecstatic final climaxes, as Isolde surrenders to a love so powerful that she transcends life itself.

Since the 1990s, Christoph Marthaler and his congenial stage and costume designer Anna Viebrock have caused a sensation with highly musical and atmospheric productions of plays and operas. It was only a matter of time, then, before this directing team was also invited to the Bayreuth Festival. Marthaler's style of radical deceleration proved ideally suited to Wagner's Tristan und Isolde in this production – with Viebrock's sober yet poetic sets – unveiled in 2005. In the 2009 revival documented here, Robert Dean Smith and Iréne Theorin were joined in the title roles by Robert Holl, one of the great basses of his generation, who sang the role of King Marke.