Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.

Valery Gergiev leads the Vienna Philharmonic Orchestra in this production of Puccini's opera, recorded live at the Salzburger Festspiele in 2002. David Pountney's production features performances by Gabriele Schnaut, Paata Burchuladze, Johan Botha and Cristina Gallardo-Domas. This production uses Luciano Berio's 2001 completion of this unfinished opera.

Maazel conducts this production from Vienna, starring Jose Carreras and Eva Marton.

From the world famous Arena of Verona, an international cast perform one of Puccini's best loved operas. The cruel Princess Turandot, ruler of China, will only wed a prince who can answer correctly her three riddles. Those who fail are executed. Prince Calaf, son of the exiled king of Tartary, falls in love with Turandot as soon as he sets eyes on her, and despite the protestations of his friends and family sets out to pass her test.

The Pucchini opera "Turandot" will be shown completely new at the Gran Teatre del Liceu. The new production by the Spanish video artist Franc Aleu refers with a wink to the history of the Catalan institution: 20 years ago, this very opera was resumed there after a fire in 1994 severely damaged the theater.

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Production of the Teatro San Carlo, 2024. Turandot can be considered Giacomo Puccini's masterpiece, being his last and unfinished opera, which tells the story of the beautiful and cruel Chinese princess Turandot, who subjects her suitors to a test consisting of solving three riddles, awaiting death if they are not able to do so.

Director Claus Guth heightens the surrealism of this initially extremely cruel fairy tale, which he prefers to see as a »parable«, into the grotesque. Guth sees Calaf, son of the fugitive Tartar king Timur, »thrown into a world that he cannot understand«. It is a system that functions according to its own logic: Princess Turandot, in order to protect herself, has built a bureaucratic apparatus around her that is as brutal as it is effective. For director Claus Guth, it is clear that Turandot is describing her own experience when she speaks of the terrible things done to her ancestor Lu-o-lin; the terror state is her reaction. The stage by Etienne Pluss, the costumes by Ursula Krdina and the choreography by Sommer Ulricksen show it from the outside as well as the inside - and also its decay, which is the necessary prerequisite for Turandot and Calaf's happy ending.