When a strange loner comes in to town, a bloody encounter with the local youth will reveal the true nature of what it means to be human.

Omar Galanti and Denis Marti are the Vampires who want to turn you into their personal sex slaves. Once these big-dicked Incubi have one goal...to make these women orgasm over and over again! When he summons you, you won't be able to resist Der Sex Vampir!

In 1970, the iconoclast Jess Franco directs a version of Dracula with Christopher Lee and Klaus Kinski. Making the most of the occasion, Pere Portabella, icon of avantgarde cinema, directs a parallel and totally converse movie during the same shoot. This short film compares both versions.

13 part television series based on the books "The Little Vampire Takes A Trip" and 'The Little Vampire On The Farm" by Angela Sommer-Bodenburg.

一名来自伦敦的男子来到塞尔维亚一个偏远的小村庄照看墓地。他开始出现噩梦般的幻觉，并怀疑友好的村民对他有更险恶的企图。

Vampir-Cuadecuc is possibly a key film in understanding the transition in the Spanish film world from the period of the “new cinemas” (permitted by the Franco government) towards the illegal, clandestine or openly antagonistic practices against the Franco regime. It consists of shooting the filming of a commercial film Count Dracula by Jesús Franco. Portabella practices two types of violence on the standard narrative: he totally eliminates color and substitutes the soundtrack with a landscape of image-sound collisions by Carles Santos. Filmed provocatively in 16mm. and with sound negative, the tensions between black and white favor the strange “fantasmatic materialism” of this revealing analysis of the construction mechanism for the magic in dominant narrative cinema, which at the same time constitutes a radical intervention in the Spanish cinematographic institution.

This is the debut feature fillm by german director Roland Klick who made classics like SUPERMARKET and DEADLOCK. In this debut Roland Klick is searching for the heart and ache of german society in portraying a middle class family in the 60's living in a suburbal area who are confronted with a crime which they don't understand. What comes to surface is a disability to be emotionally able to handle it so the family tries to hide it from society. Before Haneke (in his latest film "the White Ribbon" some 40 years later) there was already somebody using the power of cinematic experience to express a feeling about german people and german society which is far from any psychological mumbojumbo that fails in answering questions like: why is there violence in general? why did all those horrible things in germany during WWII happen? "Buebchen" doesn't try to fool us with explanations because violence is something that comes from a place that can't be desribed with words - it overcomes you. While recently Haneke was trying to fool us with possible reasons for the horrors of WWII this little piece here by Roland Klick brings the viewer closer to the topic by leaving the reasons out - this is a film about the consequences. ------------------------------------ Synopsis In a german suburb a babysitter is too busy with her own teenage business and leaves a boy with his little sister alone. Then the girl is missing. The only way the family and society are able to deal with the horror is to ignore it and hide the truth in the closet. A sharp study of german middle class society in the late 60s.

乔什即将年满30岁，他智力有缺陷，喜欢扮演吸血鬼。他的妹妹妮可15岁，正在应对即将到来的青春期；二哥迈克是“正常”的那个，但在某些方面却是最孩子气的——他最近追求的对象是娜丁，娜丁在他当保安的地方经营着一家养狗场。妮可一心想着要体验性事，还看着迈克和娜丁……

Sigmund Freud's newest patient is a vampire fed up with his undying relationship with his wife.

From Murnau to Herzog, and until modern incarnations, a mischievous exploration of a cinematographic legendary character, with Nosferatu himself as a guide...