While Mario and Luigi are vacationing in Dinosaur Land, Bowser kidnaps the Princess. Mario and his new dino friend Yoshi go on a mission to save her.

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A train conversation between an immigrant French woman and novelist Jean-Luc Nancy centering on the idea of intrusion within every foreigner (a more philosophical precursor to L'Intrus). A social commentary on the inherent fallacy - particularly in nations with a strong national identity like the U.S. and France - of the social notion that assimilation and integration embrace cultural differences; rather, it erases them.

Dreamlike sea bathing and horse rides. Colors take the plunge, the horizon blazes, breaking waves pound endlessly. A strange journey through depths of sound and vision.

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Marking the long-awaited reopening of indoor arts venues, the series explores the vibrant arts scene in Quebec, French-speaking Canada and abroad through a weekly roundup of noteworthy openings and events. Filmed entirely on location at a different venue each week, the cultural magazine goes straight to where creation takes place, capturing the effervescence, excitement and reflection that are part of the creative process. Hosts Benoit McGinnis and Sophie Fouron are joined by well-known arts reporters and critics as they look into literature, the visual arts, music, cinema, dance, theatre, architecture, poetry and more.

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In a new political situation of 1989, just as communism crumbles and the Berlin Wall collapses, a middle-aged Polish woman and German man need to face their memories, feelings and stereotypes while meeting in Gdansk.

Flaubert writes from the hero St Julian the Hospitaller: 'He knew that was hunting in some country since an indefinite time, through the very fact of his existence, as everything seemed to occur with the ease one experiences in dreams.' This film follows this dream and the indeterminacy of time, this action place, particular, we could outline this way: the metamorphosis of a child in a parricide, then from parricide in a saint. This action, Flaubert took it from 'The Golden Legend' and stained glasses in Rouen then made it a tale. The film replays the story and mainly follows Flaubert's text. The images's meaning, the more than musical's film structure, with Flaubert's text, is the one of a free loyalty, a correspondence.