Charts the emotional journey of a young man who falls in love with Lotte, engaged to another man. As he realizes that his passion is doomed to failure and constant pain, Werther contemplates taking the most drastic measures.

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One of opera’s greatest depictions of impossible love, Werther is based on Goethe’s epistolary novel The Sorrows of Young Werther. Massenet thought long and hard about adapting Goethe’s story of a melancholy poet whose love for a married woman and general disaffection with the world lead to his suicide. Initially declined Opéra Comique, Werther had its premiere in Vienna in 1892. The portrayal of an artistic, brilliant and doomed young man rebelling against the establishment has resonated through the ages in music, literature, theatre and film. Croatian National Theatre in Zagreb’s new production is in safe and cinematic hands: Pier Giorgio Morandi, chief conductor Croatian National Theatre in Zagreb, and the stage director, set and costume designer is Dante Ferretti. With Oscars to his credit, Ferretti has worked with some of the greatest names in cinema including Pasolini, Fellini, Zeffirelli, Scorsese to name just a few.

The production was the Vienna State Opera debut for the young Swiss conductor Philippe Jordan – the Argentinian tenor Marcelo Álvarez, took the title role. His Charlotte on this occasion was the young Latvian mezzo-soprano Elīna Garanča. Her performances have been enthusiastically received and she has already been labelled as the new mezzo wonder. Staged by internationally sought-after Rumanian director, Andrei Serban, the apparently sentimental love story – normally presented in 18th century period costumes - reveals a study of personal relationships and a close observation of a woman, who comes of age too late. Serban’s aim was to rid the opera of the unjustified reputation of banality that clings to it despite its underlying tragic mood. By setting the production in the stiff, claustrophobic atmosphere of a small town in the 1950s, he aimed to make the audience more aware of its deeper levels of self-denial.

Alain Guingal conducts the Orchestre du Teatro Regio di Torino in this production of Massenet's opera based on the novel 'The Sorrows of Young Werther' by Goethe. Roberto Alagna stars as the titular character, a lovelorn poet whose heart is set on a beautiful young woman of his acquaintance. Unfortunately, the girl in question has already pledged herself to another. How will Werther deal with the thwarting of his romantic ambitions?

Jules Massanet's lyrical opera is transformed into a superb film production by Petr Weigl, shot on location in Prague, with music conducted by Libor Pesek. First produced by the Vienna Opera in February 1892, "Werther" rapidly confirmed Massanet's position on the French opera scene and achieved enormous popularity outside France, notably in Italy, America and England. The tragic story tells of Werther's intense passion for Charlotte, who has married his best friend, Albert, fulfilling a pledge to her now deceased mother. But Werther's letters of love bring Charlotte to his side when he promises to take his own life.

Werther was one of the last feature films that Jean-Pierre Lajournade made for television. The Lajournade's version of Werther makes a critical rereading of Goethe's work through a challenge to bourgeois society.

Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther should travel – but not forget her. Benoît Jacquot’s production of Massenet’s tragic opera explores the conflict between duty and our most passionate desires.

Charming, passionate, totally irresponsible young novelist Werther is sent to the city on an errand by his mother. By chance, he meets lovely Charlotte, whose allure and commitment to her impressive, stable fiancé Albert will turn Werther’s life upside down. Werther and Charlotte embark on an emotional affair, while Werther and Albert start an awkward friendship. The more entwined this trio becomes, the harder it is to navigate the complexities of lust, affinity, and love.

Charlotte only married Albert out of duty but continues to love Werther without admitting it to herself and even less to him. The young man despairs at seeing his advances rejected and will not taste the love that the young woman comes to confess too late. Adapted from Goethe's novel, Jules Massenet's opera Werther is a jewel of French lyric repertoire. Opéra Orchestre National Montpellier Occitanie shares the sober and elegant staging by Bruno Ravella – his Rosenkavalier was recently enjoyed on OperaVision – and invites the famous Canadian contralto Marie-Nicole Lemieux to sing Charlotte for the first time, alongside a young and almost exclusively French-speaking cast conducted by Jean-Marie Zietouni.