暂无剧情简介

short film starring a chair; scored by Oren Ambarchi + Johan Berthling + Andreas Werliin

Cevat is the son of a famous mafia leader. He falls in love with a super model and he decides to kidnap her. The famous mafia boss has his men do this for his son. They kidnap her and plan how they will bring her to Cevat safely. On their way, the worker will get in trouble and lose the car with the model in it. He will experience the worst 48 hours of his life when he has to find her in order to bring her to Cevat.

暂无剧情简介

Gürkan and Altan have fallen into the hands of Cevat Bakır. Cevat Bakır, who killed Şahin for betraying him in the first film, spares the lives of Şahin’s accomplices, Altan and Gürkan, on the condition that they dispose of Şahin’s body. However, the two buddies mess up this task as well, bringing countless troubles upon themselves, just like in the first film, and manage to get the country’s most psychopathic men on their trail.

暂无剧情简介

The story of Altan and Gürkan, who are trying to save Ali Kapan and his men, who are out of prison once again.

导演阿巴斯最近要制作一部新电影，主演之一的萨馬德小时候受到火烧烫伤。如果不及时治疗的话会进一步恶化。于是阿巴斯决定放弃拍摄新的作品，进而帮助萨馬德联系医生对他进行治疗，同时把治疗过程拍摄下成为记录片。本片融电影和真实生活为一体，为阿巴斯不可多得的大作。

“In the spring of 1958, in the region of Khuzestan, at the heart of the Iranian oil industry and of Persian civilization, an oil well explodes during a drilling. The eruption is endless; the fire is powerful, indestructible, and gigantic. It is a dragon. In any case, that is how it is presented in A Fire.” (Stéfani de Loppinot, Cinéma 07) The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.