当爱情和面包有冲突的时候，我们会选择什么？林暖暖梦想成为金牌经纪人，当爱情失利之后，她干脆专注努力，将“谈恋爱”这一选项放置人生计划之外。与林暖暖青梅竹马的时光，由于父亲对家庭的不负责任而度过灰色童年，只有林暖暖是他生命中的第一缕温暖。他一心以实现她的梦想为梦想，直到在林暖暖的鼓励之下开始正视自己的真实想法，但踏出追求梦想的第一步，却意味着要与林暖暖分开。梅景，一个为了面包可以将爱情贴上价码的“拜金主义者”；梁成，一个坚信有情饮水饱的“长不大男孩”；这些年轻人对于爱情和生活有着各自的困惑，在跌跌撞撞的生活里，他们在彼此身上汲取力量，共同踏上梦想之路。

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

粤语片首度北上内地取景 　　南宋名歌妓苏小小才貌出众, 且为人正义高雅, 以致名声远播. 一日, 小小在西湖与相国公子院郁邂逅, 两人一见倾心, 郁瞒着父母, 私自与小小成亲, 婚后两人终日游湖作乐, 生活甜美. 某日, 小小在岳王坟畔巧遇穷书生鲍仁正在引吭抒怀, 得悉他怀才不遇, 于是慷慨赠金, 鼓励他考试, 以成大志. 与此同时, 新任知府孟浪, 垂涎小小美色, 强令她过府, 幸得郁及时来救. 郁父从京师回来, 知府相迎, 乘机报复, 谓郁沉迷小小美色, 挥霍无度. 郁父大发雷霆, 亲自到小小住处拉郁回家. 郁回家后, 被父逼婚, 只好乘夜逃走, 怎料失足堕地身亡. 小小日夜思念, 忧郁成疾. 鲍仁高中归来, 向她拜谢大恩, 但从鲍口中惊闻郁逝世一事, 了无生念, 临终邀请鲍仁为她再高歌一曲, 她就在幽怨的乐韵中与世长辞.

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