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Young Sarah's corpse is found in a lake, but actually died in a car crash and was clumsily dumped. She went missing during the youth club's “Geländespiel“ which she left after a row with other participants. Around was noticed a red model airplane, which she allegedly followed. Local 'weirdo' Karl Wagner possesses such one, and it was the passion of her long-gone father. The car paint trail from the crash leads not to Wagner but Mike Reichelt, who has a conviction for an earlier 'hit and run' car crash, which links surprisingly to Sarah's father.

Henriette, the buoyant wife of a politician leaves her ambitious husband in the middle of an election campaign and begins a new life. The fact that, as the still legally married wife of a public figure, she takes a job as a model for lingerie just can't go well.

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Based on one of the Lumière brothers’ historic first films, Harun Farocki has created a montage of scenes from 100 years of film history, all variations on the theme of “workers leaving the factory”. Farocki uses the pictures to reflect on the iconography and economy of a workers’ society, as well as that of cinema itself, which tends to acquire its audience at the gates of the factory and hijack them into the private sphere.