This documentary, produced for PBS' "The American Experience" (1988) series, chronicles the struggles between filmmaker Orson Welles and newspaper tycoon William Randolph Hearst over the making and release of Citizen Kane (1941), whose protagonist (Charles Foster Kane) was allegedly a barely fictionalized Hearst. Interviews with contemporaries of Hearst and Welles reveal the intense campaign to suppress the film and ultimately ruin the career of its director.

美国报业大亨凯恩（奥森•威尔斯）在桑拿都庄园中留下“玫瑰花蕾”的“遗言”死去后，一位青年记者受媒体的委托调查这四个字的含义，遂即，他走访了凯恩生前的同事好友，从报社董事长伯恩斯坦的口中，了解到凯恩的发迹历程以及如何制造舆论使美国卷入1897年的战争中的往事，从利兰的讲述中，凯恩与美国总统的侄女爱米丽的婚姻、与第二任妻子苏珊的复杂关系及在总统竞选中的失败等等也被他一一所知。 听过大量的讲述后，该记者又去图书馆查阅了有关凯恩的详尽资料，凯恩更多的一面，青年时代的经历及与母亲的关系也被他知晓，然而，“玫瑰花蕾”四字的含义，他仍不得而知。

在这个重启、重塑和复兴层出不穷的时代，《公民凯恩》（Citizen Kane）和《豹人》（Cat People）的电视剧版本可能会冒犯纯粹主义者，但对于渴望内容的节目制作人来说却可能完全合理——这取决于针对雷电华影片公司（RKO Pictures）的一起新诉讼如何解决。

泰坦二号殖民地面临威胁，一颗神秘陨石坠落在附近，致使外层空气净化装置受损。指挥官雷克斯·摩根带领一支队伍，要赶在空气耗尽之前修复这些装置。他们成功修复装置后，却发现这颗陨石并不简单。陨石中藏着一群外星种族，这些外星种族妄图占领基地，把居民当作食物，还打算劫持泰坦二号飞船前往地球，以解决自身的饥饿问题，并为征服地球做好铺垫。地球自由之战在火星上就此打响。

内森·凯恩（杰克·奎德 Jack Quaid 饰）过着普通的生活，而在平常的外表之下，他有着不寻常的病症——感受不到疼痛。从身上拔下一颗子弹头、被人拳打脚踢、把手放进滚烫的水中、徒手接刺刀……这些致命伤对凯恩来说都不痛不痒，而意外失去女友（安伯·明迪桑德 Amber Midthunder 饰）让他彻底心痛，心中的怒火让他决定复仇，利用没有疼痛的“超能力”与对手抗衡。

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A teacher's world is torn apart when his wife and children are brutally murdered at the hands of a ruthless gang. Left for dead and with no one to turn to, he takes matters into his own hands and hits the streets in search of justice.

911后伊斯兰移民在美国的遭遇

一位天真的年轻农民攒了五年钱，搬到曼谷买了一辆出租车，希望能为自己和儿子创造更好的生活。

An elliptical look at a young man’s homecoming, emerging LA filmmaker Dwayne LeBlanc’s Civic idles in the in-between. Framed entirely within the confines of a car’s interior, LeBlanc’s richly textured short is built on small gestures, sporadic interruptions, and long pauses between belly laughs, all told beneath the soft rumble of traffic. Missed phone calls and muffled voices come and go as Booker (Barrington Darius) reconnects with friends and family, telling a subtle story of displacement and the enduring desire for recognition in South Central Los Angeles. The first of a trilogy of shorts investigating migration, Civic is concerned with what casual interactions and ordinary habits say about our circumstances, rather than any kind of clearly defined dramatic tension. After a lengthy absence, Booker floats through the familiar side streets and freeways of LA with fresh eyes. Along the way, he’s met with mixed reactions from those who’ve stayed. Some call him a “big shot” for leaving, others tease him for having the same haircut and music taste. A flag of Dominica hangs from his rearview mirror, which together with a few half-thoughts and unfinished phrases, hints at a previous generation’s parallel journey from home.