Onna Hitori Daichi wo Yuku (A Lonely Woman in a Lonely Land, Kinuta Production, 1953) was the second feature film directed by Kamei Fumio, who is known as a master of documentary films, and followed his “Haha Nareba Onna Nareba(Become a Mother, Become a Woman)” (1952).

A miner leaves his cottage in the morning, his family waving goodbye. The pit head; locking the lamps. The miners enter a lift and descend to the pits. At the coalface, miners hack at the coal with pickaxes, while other men and boys load the coal into trolleys. The coal is hoisted to the pit's mouth, where men, women and boys commence unloading. The waste is hoisted to the pit's mouth; a group of women load wooden props and sort, screen and load the coal into trucks. The coal trains leave the pit. The miners return to the pit head, and receive their pay. The miner returns home after work. A middle-class family sit around an open fire upon which a maid places more coal.

丈夫携养妹度蜜月的背叛夜，沈雪在酒吧攥住“小狼狗”男模的手——她以为是报复的风月，却不知是首富霍琛藏了多年的蓄谋。两年后分手费递出，为了争取霍氏项目而离婚，却惊见权力顶端的男人，正是那个被她劝“改邪归正”的男模。初夜谜团、家族阴谋，而这捧了半生的暗恋，她是否能欣然接纳呢？

姜柠在现代意外成为植物人后，穿到自己写的书里，成为了被拥有金手指言灵术的苏念云，害死在精神病医院的真千金。萌宠小哆告诉姜柠只有完成任务回到苏家，并抢回未婚夫傅宴亭才能回到现实，否则将被书中世界抹杀，现实生活中的植物人姜柠彻底脑死亡。

鹿鸣于表面是鹿家不出闺门的乖乖女，实际寄人篱下，受尽欺辱，早已变得腹黑心狠。段休冥如一道光，照进鹿鸣于黑暗的生活，甘愿成为她复仇的刀，随她勇斩恶龙，拥抱自由。

鹿鸣于饱受鹿家长达十年的精神折磨，后来遇到了段休冥，前期鹿鸣于利用段休冥来达到自己逃离鹿家，后面发现段休冥对自己的是绝对的顺从和信任，于是慢慢爱上了段休冥，最后逃离鹿家重获自由，发展绘画事业，强大自己的羽翼，重新找回12岁那年光芒万丈的自己。

She purchased a ticket of no return to Berlin-Tegel. She wanted to forget her past, or rather to abandon it like a condemned house. She wanted to concentrate all her energies on one thing, something all her own. To follow her own destiny at last was her only desire. Berlin, a city in which she was a complete stranger, seemed just the place to indulge her passion undisturbed. Her passion was alcohol, she lived to drink and drank to live, the life of a drunkard. Her resolve to live out a narcissistic, pessimistic cult of solitude strengthened during her flight until it reached the level at which it could be lived. The time was ripe to put her plans into action. The movement of transformation in this film has the opposite trajectory as the previous film Madame X. There women come from very specific backgrounds to journey into the unknown, here a woman without a name comes from an unknown place and engages in a most specific sight-seeing tour of Berlin based on her interest in alcoholic beverages. In a sense this project also represents the exploration of the unknown, and death and destruction await her equally at the end of each journey, that to the extreme outer regions of adventure as well as that of total narcissistic retreat into the self.

入殓师秦疏意与凌氏继承人凌绝，从一场“谁先动心谁就输”的感情游戏开始。凌绝以为她乖巧深情，秦疏意却始终清醒独立，认真工作，也从未把豪门当作归宿。陶望溪回国后，两人因误会分手。秦疏意恢复单身、准备相亲，凌绝才真正正视自己的感情，追到S市试图重新开始。面对家庭阻力与联姻传闻，秦疏意仍坚持原则，不因身份与物质改变选择。

鹿鸣于饱受鹿家长达十年的精神折磨，后来遇到了段休冥，前期鹿鸣于利用段休冥来达到自己逃离鹿家，后面发现段休冥对自己的是绝对的顺从和信任，于是慢慢爱上了段休冥，最后逃离鹿家重获自由，发展绘画事业，强大自己的羽翼，重新找回12岁那年光芒万丈的自己。

《一个接一个》改编自大卫·罗西诺的真实故事。戴夫最初是一名殡葬学徒，后来成为监狱的警卫。不久，他成为了一名卧底缉毒侦探和凶杀案调查员。但上帝对他另有安排。在一次危及生命的伤害之后，戴夫不情愿地接受了成为一名牧师的召唤，他为无数人的生命带来了永恒的改变。—史蒂文·F·赞博