暂无剧情简介

在一次抢劫中，由于被达德出卖，里奥被关进了监狱。5年后，他同狱友莫得斯成功地越狱。后来他们入了鲍伯的团伙，并准备抢劫蒙特利镇的银行。里奥的仇人达德此时成了镇上有名望的人物，担任镇上的司法官。

10岁弱视女孩田田因佩戴矫正眼罩被同学嘲笑为“独眼龙”。她无比羡慕在学校和家中都备受宠爱的“满分表姐”。田田深信只要眼睛痊愈就能像姐姐一样受欢迎，在表姐的陪伴和引导下，她体验到了被接纳的喜悦。

他残酷无情，杀人于他就如同儿戏，提起他的名号人人闻风丧胆； 他重情重义，兄弟于他是头等要事，高喊一声大哥个个肃然起敬。 他不叫什么老大，独眼教父是他的名号，他就是巴格瓦镇的黑帮大佬巴强·潘迪（阿克谢·库玛尔 Akshay Kumar 饰）。 她心怀梦想，虽备受他人百般嘲讽，仍立志出人头地为老父圆梦； 她胆量过人，为电影取材深入虎穴，明暗里与黑帮歹徒斗智斗勇。 她没什么超能力，普普通通的追梦女孩，她就是孟买的新晋导演迈拉·德维卡（克里蒂·萨农 Kriti Sanon 饰）。 一个杀人如麻的黑帮大佬，一个苦苦追梦的导演女孩，他们相遇会碰撞出怎样的火花呢？迈拉的下场又会如何呢？

讲述了在独眼龙伊达政宗的故乡独龙町，生意黯淡的商店街店主们挑战重现政宗的正妻爱姬的花嫁队列的故事。 酒屋后继･藤次郎提出将“花嫁道中”作为小镇复兴的背水一战，它的成败也左右着藤次郎向青梅竹马･美贵的求婚。 然而，因崇拜独眼龙政宗，男人们愈发变得大男子主义，受够了他们的女人们都选择了离开，店主们不得不亲自装扮成新娘及侍女角色，事态严重。 男人们也走得所剩无几，只剩下包括藤次郎町长在内的五个人——大腹便便的蛋糕店主、痞子发型的电器店主等——尽是些不适合扮成新娘侍女的花样男子们。 铭记政宗在当地留下的“不屈”精神的同时，男人们开始了化妆跳舞等严格的花嫁修学...

Disc1第一回「诞生」 1月4日播出 永禄八年（1565年），伊达家当主辉宗迎娶了最上义守的女儿义姬。义姬被迎入东馆，被称为“お東の方”。永禄十年（1567年）八月三日，嫡子诞生，辉宗将其命名为“梵天丸”。梵天丸五岁时感染天花，失去了右眼的视力。 第二回「不动明王」 1月11日播出 辉宗邀请名僧虎哉宗乙担任梵天丸的学问老师。有一天，梵天丸和傅役喜多到寺庙拜访时，询问不动明王为何面容可怖。虎哉告诉他，不动明王虽外表如此，实则是慈悲为怀的佛，梵天丸听后喃喃自语：“梵天丸也想成为这样的人。” 第三回「亲心」 1月18日播出 辉宗展现出了洞察时代潮流的外交手腕。天正二年（1574年）正月，最上家爆发内乱。父亲和亲兄弟之间的争斗让“お東”心痛不已。而后，还有更让她伤心的事发生……

During the latter part of the 16th Century, Japan's Warring States era was coming to a close. After crushing almost all of his enemies, Date Masamune aka the "Hawk of the North" sets his eyes on Hatakeyama's lands. The young warlord is about to face his greatest challenge.

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments. Written by Gerhard Windecker {g.wind@mbox300.swipnet.se}