Ryutaro Ninomiya, 27 years old, lives a fairly simple life. He works at an auto-repair shop, reads books and drinks a few beers. One day, he receives a phone call from Yusuke, his childhood friend whose mother, Ryuko, is dying from Hepatitis C. Despite knowing for a while that Ryuko was sick, Ryutaro hasn’t visited her, but today he decides to go.

Everyone can relate to love, and the best thing about love is that it radiates in even the smallest things in life. I’m taking these little pieces of life and recreating its hidden messages on my “Love is…” illustrations. 官方在线: https://www.youtube.com/watch?v=DWK-FucR7gc

Everyone can relate to love, and the best thing about love is that it radiates in even the smallest things in life. I’m taking these little pieces of life and recreating its hidden messages on my “Love is…” illustrations.

泰国青春片《初恋这件小事》翻拍中国版，定名《这件小事是爱吗？》。原版故事讲述长相平凡、家境平平的初中生小水，因暗恋学长阿亮，为喜欢的人慢慢变好，而阿亮学长看到小水的努力喜欢对方。此次中方买下剧本改编权，影片有望年内开拍，导演、男女主均在筹备中。

孤儿李洪义在村民帮助下，幼时成长、长大步入小康生活，到迷失自我、欠下一身赌债，又在村民的帮助下浪子回头，带领乡亲们共同致富的故事。

在高中里，一位独眼男孩和一位120公斤的胖女孩在校园相遇，这两位“校园怪人”出人预料地陷入了爱河。毕业后，女孩去了远方上大学，居然还减肥成功。两人再度见面后，男孩对女孩的变化十分意外，他似乎难以接受女孩全新的形象，陷入了内心的挣扎之中；女孩也因此疑惑男孩究竟是不是她命中注定的爱人。随着两人的距离越来越远，更多的现实因素，逼迫他们认清各自现在与过去的模样，以及旁人的目光，是如何看待他们这群先天有缺陷的“怪人”。 这是一部风格独特的校园浪漫喜剧，既有反映社会现实冷酷的一面，也有温馨感人的镜头。该片参加了2017年的克利夫兰电影节、牛津电影节等。

神秘而可爱的伦敦男子雷最近刚从精神病院释放出来，回到那个过分溺爱的哥哥身边。刚开始一切都很顺利，雷为哥哥干活，过着不一样的新生活。但是当雷迷上神秘莫测的格拉斯哥人劳拉之后，他开始停止服药，事情开始失控……

深圳女孩小野意外来到某个名叫双滘的粤西小镇，在这里认识了杀马特少年阿威。两人一同踏上了寻牛之旅。 本片入围2019年Hi!shorts影展剧情单元。

Drawing on her own experiences to reclaim her transgender identity, Singaporean director Quen Wong’s directorial debut disrupts the silence around trans discrimination. Counting down to her wedding day, Quen explores the journey to her current trans woman identity. In looking back through her past, she shares intimate moments, with her fiancé, which were key to her transition. Her journey also features glimpses of Bugis Street, the trans community’s haven, in its glory days. These are contrasted with present-day Singapore, where the trans community has become marginalised. Quen eloquently chronicles the untold stories of trans women from three different generations, posing critical questions about the survival of the present LGBTQI+ community under a conservative government.