一对老夫妻为了复活自己的外孙，于是绑架孕妇，尝试执行恶魔仪式，让孙子通过孕妇未出世的孩子复活，结果随着警察的调查和超自然事件的发生，导致事情逐渐失去老夫妻的控制。

莉十五年前在廉价商店花了五块美金（店家也只开价八元，她还多杀了三块钱）买了一张画，后来有人告诉她，这可能美国名画家波拉克（Jackson Pollock）的真蹟，价值数千万美元。但是泰莉并不是什么艺术鑑赏家，当年买了这幅画，完全是为了好玩，还差点拿它来射飞鏢，最后是在清仓拍卖时被一 位艺术老师发现，认为它可能就是波拉克的真蹟，泰莉当然吓了一跳，一幅不起眼的画，怎么可能身价暴涨几千万倍？从那天开始，她坦承只要再看波拉克的画作一 眼，她就看到了满天钞票，她向外界打听后知道波拉克的画作『第五号』，曾经创下一亿四千万美元的高价，於是她盘算再盘算，就相信自己这幅画值五千万美元。

体弱的安然与传闻“不能生育”的邻居时翊闪婚，本打算相敬如宾，却意外发现与他亲密接触能缓解病症。她主动贴贴治病，却在一次次靠近中感情升温。最终揭晓时翊身体无恙，多年暗恋终得回应，两人在双向奔赴中收获健康与甜蜜爱情。

安托万（马努•派耶 Manu Payet 饰）是一名鼓手，组织了一支乐队，其中的主唱安琪莉可（乔•贝尔 Joe Bel 饰）拥有很高的音乐天赋，是安托万重点培养的对象。安托万和妻子爱丽丝（奥黛丽•拉米 Audrey Lamy 饰）之间的关系一直十分的紧张，最终，两人的婚姻还是破裂了，如此一来，安托万必须承担照顾两个女儿的职责，这让并不善于此道的安托万感到十分的头大。 乐队正在经历最重要的时期，在这个节骨眼上，安琪莉可爱上了吉他手贝博特（布鲁诺•克莱勒丰 Bruno Clairefond 饰），他们的恋情自然让安托万感到十分的不安，乐队的稳定和团结岌岌可危。

Three women in their late thirties, one with marital problems, one trying to be perfect, and a spinster, discuss their relationship to men.

Ella and her friends sign up for a song contest that offers her the chance to make it big in the music business. Her strongest competitor is rapper alfaMK, who already has a fan base and is also outrageously good-looking.

A quiet, sarcastic film about children who, during the war, try to sing the Lebanese National Anthem. This attempt is interspersed with scenes of conflict and destruction. At the same time, it is a film about the Israeli invasion of Lebanon and contains interviews with political personalities from the South and ordinary folks. فيلم ساخر عن أطفال يحاولون خلال لحظة من لحظات الحرب إلقاء النّشيد الوطنيّ اللّبنانيّ، في تقاطع مع مشاهد للحرب والدّمار. هو إلى جانب ذلك فيلم عن الغزو الإسرائيلي للبنان، يضمّ مقابلات مع شخصيّات جنوبيّة ومواطنين عاديّين.

布坎曾经是个受同侪排挤的员警，做事不像别的员警一样循规蹈矩。于是布坎辞职做了赏金猎人，为攒钱开一家自己的私人侦探社而奋斗。这个目标十分遥远，因为布坎每天捉来捉去，捉的都是些不值钱的小贼。 有一天他在追捕异常滑溜的小贼雷吉，雷吉躲进了一辆汽车的后备箱，车子的主人却是一帮珠宝大盗，他们刚刚杀人越货，抢来一批价值两千万的钻石，却发现这些钻石是假的。 雷吉躲开大盗们逃回家，他的女朋友告诉他他们买的彩票中了六千万大奖。可是，雷吉的彩票却跟钱包一起落在了强盗们手里。幸好，这时布坎上门来抓人，雷吉理直气壮地要雇用布坎去抢回彩票。布坎考虑一番之后，同意了。不过他心里另有算盘：如果雷吉的话是假的，他就用雷吉作诱饵抓住强盗们换取奖金。

Catching the spirit of a nation, the film serves as a sharp observation of contemporary society in the Balkans.10/10星 This film is the third feature written and directed by director Goran Markovic, who has proved to be one of the best Serbian directors in the latter part of the 20th century. Despite his youth (or perhaps because of it), the director has successfully made a film which transcends the boundaries of the plot, and goes to serve as a sharp observation and critique of the contemporary society in former Yugoslavia, thus becoming one of the best Yugoslav films. While aptly re-creating a typically charged atmosphere in a large and highly successful Belgrade school by depicting various teachers and the school staff and showing us their relationships, their characteristics (and mostly their flaws), he manages to also catch the spirit of a nation, and to visualize through analogous dialogs (and other film accessories)a time of great conflicts and tumultuous relations on the Balkans peninsula, which have marked the second half of the century, only to lead from bad to worse. The acting is, as in most major films made in Yugoslavia 1at that time, superb. Even though there is no leading role, each character (and actor) has its turn to shine and personify yet another type of existence, and thus to weave its thread into the rich tapestry of the film's vision. I would like especially to emphasize the importance of the poem recited at the end of the film. It serves as a kind of summary of what we have seen (or what we should have seen), and a manifest of the director's ideas and credos.

首富荣义翔的公子荣维志被一伙黑社会分子暴打并受伤脱逃，巧遇俞雪儿搭救。而俞雪儿父亲苦心经营多年的产品“金兰”系列在亚洲博览会上荣获金奖，高兴之际，雪儿得知俞父突遭车祸去世。企业面临破产的边缘，为争夺“金兰”品牌，有三家公司开始了残酷的争夺战，联合黑社会对彼此进行打击报复，深刻展示了商场上的混乱与黑暗。