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    一无所有的男人们 - 电影

    2010美国剧情
    工厂的工人伴随着恐慌和紧张,他们发现了一个秘密。

    一无所有 - 电影

    2002法国·英国剧情·喜剧·动画
    《折翼天使》是麦克李再度以英国蓝领阶级家庭为题材的作品。开计程车的丈夫、在超市当收银员的妻子,两个过于肥胖的子女,幸福似乎已离他们远去,直到儿子突然被诊断出先天性心脏病,这家人才又开始沟通。从主角到他们的左邻右舍,每个人几乎都有说不尽的故事,麦克李没有告诉你他们从此过著幸福快乐的日子,却带你一块经历这段深刻的心路历程。
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    一无所有 - 电影

    1998波兰剧情
    影片讲述一个年轻母亲海伦(安妮塔·库斯克思娃-博克思娃 Anita Kuskowska-Borkowska饰)带着三个年幼的孩子艰难生活的心酸故事。她的丈夫安东尼(詹纽思·潘纳西兹Janusz Panasewicz饰)经常扔下他们母女不管。害怕被丈夫遗弃的海伦,被迫杀死了自己的第四个孩子,海伦落下自责和痛苦的泪水,一无所有。波兰女导演用极为优美的光影和画面,向我们讲述这个悲惨的故事,配以浪漫的钢琴、竖琴和很多管弦乐团作为背景音乐,从美学角度将片中人物的痛苦美化了,从而引起强烈的争论和讨论。 电影荣获1999年布鲁塞尔电影节最佳女演员奖、波兰电影奖最佳导演奖等数十奖项。
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    一无所有 - 电影

    2023法国剧情·短片·惊悚
    Orphaned at birth, Jean abandons his wife and infant child, believing that he is protecting them from his criminal double life. On the run, his frantic odyssey will bring him back to the fatherhood he was fleeing.
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    一无所有 - 电影

    1992法国喜剧·剧情·动作
    大画廊是一家典型的法国百货公司,在这里,既能找到各式各样的商品,也能碰到形形色色的人。勒佩蒂是个雄心勃勃且果敢的人,他被任命为该公司的新任CEO。他的任务是改善商店的财务状况。他把“以人为本”作为口号,还引入了一些新方法,并且他自己也践行这些新方法。然而,员工之间却渐渐出现了紧张关系。
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    一无所有 - 电影

    2024惊悚·剧情
    At the dawn of a fatherhood that is refused to him, Jean, an orphan who has been involved in delinquency and is now repentant, decides to leave everything behind by stealing from the godfather who had protected him until then.
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    一无所有 - 电影

    2020美国剧情·喜剧·犯罪
    一个陌生人找到阿赫(Aach),让他去杀一个人,从死者身上取回一条带有钥匙的链子,用这把钥匙打开一个藏货处,里面有两个袋子。他必须在30天内把袋子里的东西换成钱,但问题是他根本不知道该怎么做。
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    一无所有 - 电影

    2018美国惊悚·恐怖
    Clayton Thompson, a recent college graduate, believes that the best art in the world is created in the darkest hours of those artists' lives. Fueled by this thought, he decides to self document the process of writing his first story. He films a series of interviews with his best friend and girlfriend ultimately leading to the explanation of his plan - To get dropped off in the unmarked North Georgia Mountains with camera equipment and minimal supplies. Left with no way to communicate with the outside world his sanity is tested as a seeming looming presence is near.
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    一无所有 - 电影

    1991印度剧情·爱情
    The film takes place in Calcutta, 1971. Story begins with rehabilitation official Venu (Mohanlal) coming to Calcutta in one of his regular visits to shift about 35 - 40 refugee families to Andaman Islands. The current rehabilitation plan is only those who fall under the category of schedule caste farmers. People in Andaman too are not happy about taking in refugees. All the refugees have been staying in Permanent Liability Camp in Rana ghat, West Bengal for the past two decades. Experiencing the shattered lives of poor displaced people deeply hurts Venu, who in his silent moments alone in his small lodge room frequently finds himself lost in the thoughts about the lives of the refuge seekers he meets during the day. Living an oppressed life, their only hope being the occasional promises of land, cattle and other grants by the bureaucratic state. Aravindan takes us closer into the life of a refugee when Venu realizes that the sorrow of one refugee family is his own. One day, an old lady, Arthi Panicker(Neelanjana Mitra) comes to meet Venu in his lodge. She speaks broken malayalam which surprises Venu. She's a refugee from East Bengal. She desperately wants to move out of the wretched Calcutta for a better future of her children, a daughter (who's completed MA but never appeared of the examination) and a son about whom she's very sad. Her daughter Damayanti(Neena Gupta) quit studies and is a communist revolutionary on parole. Venu realizes that they are no one but his own uncle's family, his uncle Kunjunni Panicker whom he admired so much, a poet and revolutionary who left home long back (probably to join Bose's INA) when Venu was a child. Venu visits home in Kerala, a typical matrilineal nair household, to discuss about his chance meeting with Kunjunni uncle's family and also to secure their rightful share for them. Venu's mother has no sympathies for Arthi Panicker and her kids. Kunjunni uncle's land is in possession of Venu's aunt Bhavani(Padmini), who, as a beautiful teenager had secret affairs with both Kunjunni and his brother Anandan. Venu remembers his childhood days where he used to run secret errands for a young Bhavani played by Shobana. Aunt Bhavani is more sympathetic towards Arthi. Having never met the wife and children of the man she once loved, she's curious about them. She agrees to give them the land or money, whatever is convenient to them. (One gets the impression that at the late time of her life Bhavani is leading a lonely, guilt-ridden life, having destroyed the lives of both the brothers – She married Anandan who commits suicide, probably due to unhappy marriage.) Venu returns to Calcutta and reveals his identity to aunt Arthi. She is pleasantly surprised and she and Damayanti finally feel a sense of security and belonging in their lives. But Arthi rejects the financial help from her husband's family who hadn't allowed her to enter the compound of the house when she visited them years back. Arthi narrates the humiliation of having to return on a hot summer afternoon from the locked gates of her husband's ancestral house, both she and Kunjunni breaking down on their way back. Immediately after their return to East Bengal, the country gains independence and in the consequent partition they sought refuge in Indian side. Kunjunni dies of cholera in the refugee camp and a pregnant Arthi is left on her own in abject poverty, with two year old Damayanti by her side. Venu meets Damayanti's brother who is also a communist revolutionary hiding from the police. Venu's arrival into their life brings long lost hope and happiness. But its short-lived as its time for Venu to return to the Andaman Islands with the selected refugees. As the rest of Calcutta celebrates Durga puja, a few bunch of refugee families are packed in the back of a goods truck and offloaded at the harbor. Arthi and Damayanti arrive at the harbor to see him off. Damayanti is not able to control her emotions and breaks down inconsolably as Venu hugs her, himself overcome by sadness. Arthi Panicker looks on emotionless, here face hardened by years of victimization. The film ends tragically as Venu has to rush hastily into the ship about to depart, abruptly ending his goodbye to his uncle's family. As Venu rushes through the crowded stairways of the ship, a crying Damayanti shouts from behind, “Write to me Dada... Damayanti Panicker, Apilore Central Jail, Calcutta”. The ship moves towards Andaman, beginning a new journey, a new era for a few Vasthuharas, towards the green shores of a new promised land somewhere in the eastern islands, a land new hope. But even as a handful of them find hope, another wave of exodus begins, which ends in the Indo-Pak Bangaldesh liberation war in Dec 1971. Displaced from their homes, unwanted outsiders in their land of refuge, doing sundry small time jobs, working in abject conditions as bonded laborers, some wait to return to their land, some simply give up, and some others like Damayanti and her brother, become rebels.
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    一无所有 - 电影

    1989中国大陆剧情·惊悚
    故事发生在昏暗的黄浦江码头,一群流氓追赶着一个年轻姑娘,准备施加强暴,但突然出现了一个穿着黑长衫的青年,他是帮会老头子金四的得力干将,被称为黑豹(袁苑 饰)。黑豹的出现让追赶姑娘的流氓乖乖离开,展现了黑豹在帮会中的威望和权威。 黑豹见到姑娘后惊讶地发现她竟然是他儿时的好朋友赵小波。这次相遇唤起了黑豹对小波的爱恋之情,同时小波正在寻找失散十五年的父亲。在对话中,黑豹透露了关于另一位朋友罗烈的消息,说明罗烈为了逃避追杀曾离开上海滩,至今音信全无。当小波在旅馆洗澡时,流氓帮的老六突然闯入,威胁欲侵犯小波。黑豹及时赶到,与老六激战。尽管黑豹受了伤,但最终成功赶走了老六。小波在这一瞬间感受到了黑豹的保护,两人之间的感情也迎来了爆发。
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