In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

　　In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

演员：德克·博加德 卡普西尼 吉内瓦维·佩吉 导演：查尔斯·维多 乔治·库克 类型：剧情片 剧情 音乐 传记 影集 状态：已完结更新时间：2025-03-19地区：美国 年份：1960 语言：英语 介绍：本片(剧)又名无尽之歌，是一部美国制片作品的影集，于1960年上映。对白语言为英语，目前豆瓣评分6.6(仅供参考)。...更多 

导演： 查尔斯·维多/乔治·库克/ 编剧： 奥斯卡·米勒德/ 主演： 德克·博加德/卡普西尼/吉内瓦维·佩吉/ 更新： 2025-05-06 12:11:23，最后更新于 1月前 备注： HD 评价：

@media (min-width: 559px) { .module-adslist{ display: flex; }}@media (min-width: 559px) { .module-adslist{ display: flex; }}导演：查尔斯·维多/乔治·库克/编剧：奥斯卡·米勒德/主演：德克·博加德/卡普西尼/吉内瓦维·佩吉/更新：2024-05-10 22:59:14，最后更新于1年前备注：已完结评价：

In a confused welter of artistic licence, this is the classical music biopic which makes 'Song t[展开全部]　In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguis...[收起部分]

在一片混乱的艺术许可中，这是一部古典音乐传记片，它使《记忆之歌》看起来像一部杰作。博加德成功削弱了这位横跨 19 世纪大部分欧洲音乐的音乐巨人的声誉。情节的荒谬性，表演的杉木般的品质以及历史、音乐和语言的流行......

清朝末年，留洋归国的富家子弟林继民（于洋 饰）被家乡广州城内民不聊生的社会景象激发出救国情怀，联手青年革命志士陈镜波（林锦堂 饰）合办报纸欲启发民智，却因揭发清政府的腐败屡遭官方打压致报馆被查封，继民备受打击从而立志加入同盟会，抛下了新婚妻子蔡雪雁（李司棋 饰），赴港追随黄兴（秦煌 饰）投身革命。雪雁本是镜波的未婚妻，为了保障雪雁的安稳，镜波忍痛将雪雁托付于家境优渥的继民，不料雪雁一过门便独守空闺，又因小姑林芷珊（韩马利 饰）情系镜波而遭妒忌，在继民出走后遭到夫家的欺侮，无奈走上了革命的道路……

演员：于洋 韩马利 李司棋 林锦堂 导演：邱家雄 类型：香港剧 剧情 历史 剧集 状态：更新至第15集更新时间：2025-03-18地区：香港 年份：1981 语言：粤语 介绍：本片(剧)又名碧血黄花，是一部香港制片作品的剧集，于1981年上映。对白语言为粤语，目前豆瓣评分7.0(仅供参考)。...更多