跟随2021年1月6日美国国会山袭击事件的后续发展，由亲身见证这场混乱的人来讲述事件经过。

1944年6月，五十万盟军官兵集结完毕，正等待着横渡英吉利海峡的命令。对他们中的许多人来说，这或许就是生命中最后的一天。在盟军发起大规模的攻击命令前，搭载着第六特种部队的军舰已于主力舰队出发前四十分钟起锚，任务是在温特上校的率领下先期登陆，开辟一条通往悬崖下面的通道。军舰在夜幕的掩护下，冒着恶劣的天气向诺曼底进发。在距诺曼底海滩还有两个小时的时候，指挥官温特上校不由得回想起和女朋友瓦莱莉·纳赛尔在一起的快乐时光。瓦莱莉是准将的女儿，对于未来的女婿，参加过敦刻尔...

在古代以色列，人们认为精神错乱是由超自然力量或愤怒的上帝引发的精神紊乱所致，是对罪孽或未遵守戒律的一种惩罚。

该剧情讲述了1844年约瑟·斯密遇害后教会面临的权力继承危机，呈现了百翰·杨（Brigham Young）与西德尼·里格登（Sidney Rigdon）之间的分歧情况，还介绍了十二使徒定额组是怎样接过领导重任的。

航天基地张教授的女儿张艺雯外出找其男友戴维后失联，张教授四处寻找之际，绑匪发来信息，要求张教授用最新的航天试验数据来换回女儿，市刑侦队长李剑，抽丝剥茧，拨开重重迷雾，揪出了让人难以置信的幕后黑手。

The lives of several people intertwine in Hawaii as they each try to accomplish their goals.

二零一一年，三月六日，香港多个团体发起反财政预算案大游行，晚上二百多人依然在皇后大道中静坐。 示威者被警方围困后，突围至德辅道中与雪厂街交界，以和平不合作形式阻塞马路示威。警方尝试冲动示威者不果后，历史性地以“非法集结”罪名拘捕一百一十三人，全部带返北角警署。 由于口供房未能负荷，示威者被安排以小组形式于警署饭堂录口供。 三个示威者与三个警察围着饭桌坐着，蒋浩正一早已经让手上的权力指引，但他却没有抬头。因为对面的警察是他哥哥。 警署的影印机坏了，他们无了期的等。漫漫长夜，除了呆坐以外，两个阵型，六个不同立场背景的人，唯有开始谈话。 故事从这里开始。

The film starts by a visit to bucolic Normandy before the events. This peaceful atmosphere is shattered by Operation Overlord, minutely described in the second part of the documentary. The landing on D-Day and the ensuing battles and bombings martyr the peaceful area giving the earth thousands of body instead of seeds. In the last part, the dreadful aftermath of the steel storm is shown both with sympathy for the victims and hope for the future, since all these sacrifices, whether military or civilians, have not been in vain.

克隆技术在不远的未来有了长足的进步，但复制人仍是法理上不可逾越的禁区，政府通过《第六天法》严格禁止克隆人。飞行员亚当（Arnold Schwarzenegger 饰）拥有幸福的家庭，他出于本能的厌恶那些违背自然规律的基因技术。亚当平时的工作是和搭档送游客上雪峰，这天他们为宠物克隆公司的老板恰克（Tony Goldwyn 饰）服务，搭档顶替亚当驾驶却发生了意外……回到家中的亚当发现居然有一个克隆人顶替了自己的位置参加他的生日宴，莫名惊恐之下他又被来路不明的杀手追杀，他很快明白自己成为了宠物克隆公司的人类复制试验品，做为母体，他面临被消灭的危险。在逃亡的过程中亚当与暴力反对克隆人计划的组织合作，成功潜入宠物克隆公司，并控制了克隆人技术的负责人威尔博士……

One of his most controversial films, THE SPARROW was written by Chahine in collaboration with avant-gardist Lofti el-Kholi. Set during the 1967 Six Day War between Israel and the United Arab Republic this story of familial and national divisions has become one of Chahine's most popular films in festivals and retrospectives. A young policeman's adoptive father occupies a high post in the force, while his biological father is reputed to have been a left-wing activist. Raouf begins to search for those who might have known his real father, while his half-brother, stationed on the Sinai front, prepares for battle. The Sparrow (El ‘Osfour) was banned in May 1973, then received in December of the same year the country’s highest cultural award. More importantly, however, is that starting from The Sparrow (El ‘Osfour), Chahine departed from the conventional mainstream cinema of his time and developed his own individual style, hence emerging as a pioneer in this respect; instead of using a linear plot, he displayed a new liking for fragmented forms, discontinuous narratives, and random-seeming collages of disparate material such as flashbacks, actual events, associations and documentary sequences. The overall result of these shifts was the inception of a new phase in his films which was dedicated to experimentation and innovation.