一群人走出萨拉戈萨的皮拉尔大教堂。 许多电影史学者认为这是第一部西班牙电影。

拿破仑战争时期，一个军官发现的一本旧书上记载着跟他祖父阿方索·范·沃登有关的故事，沃登是瓦龙部队的队长，他要寻找通往莫雷纳的捷径。在小酒馆里，他邂逅了两个伊斯兰公主，她们引诱他，但他醒来却发现自己已身在绞架。他被神秘人拯救，回家家乡之后，等待他的是更惊人的消息……

法兰西学院的罗杰·卡依瓦对扬·波托茨基的《萨拉戈萨手稿》进行编校的版本<阿维拉女公爵>（罗杰·卡依瓦的《萨拉戈萨手稿》编校本重印时所用的书名）

若泽·萨拉马戈（1922-2010）的代表作包括《寡妇》《修道院纪事》《失明症漫记》等等，作品极富想象力与同情心，一身也是一名争议不断、树敌无数的共产主义者。作为葡萄亚唯一的诺贝尔奖得主，他却多年自我流放，生命最后十八年都在西班牙度过。这当中，就不得不提到影片的第二位主人公，皮拉尔·德尔·里奥，这位西班牙女记者，葡萄牙人认为是她“拐走了”他们祖国的文化象征。萨拉马戈作品从不写爱情故事，但他的一生却为我们留下了一个伟大的爱情故事。《若泽与皮拉尔》用两年时间纪录了两人生活的点滴，也许是一个眼神，一声名字的呼唤让人们感到了他们对彼此的意义；他们的每一句台词都会让你思考自己的人生，从这个意义上来说，这部纪录片能够做到的超过了很多剧情片。

一个帮派头目试图遵守对他垂死的朋友所做的承诺，并与其他犯罪团伙展开较量。

朝圣者在日食之时来到神秘的大教堂门外。 拄着手杖，他洞开可教堂的大门。教堂里充满诡异且压抑的气氛，两旁林立着枯槁的神像。神像的脸追随着朝圣者的步伐转动，朝圣者穿过神像，来到悬崖边上。 这时日食过去，阳光透过林立的枯槁神像射向朝圣者。那光芒明亮耀眼，直刺向朝圣者的胸膛。

一位独生子对一个美国家庭二十多年来兴衰的沉思性的、印象主义的陈述。

In a dystopian city-state, Deva and Varadha's complex bond takes center stage. Their friendship and rivalry unfold against a backdrop of political intrigue and power struggles, leading to high-stakes drama and thrilling action sequences.

'If buildings could talk, what would they say about us?' Cathedrals of Culture offers six startling responses to this question. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world’s most humane prison; the Salk Institute, a scientific monastery on the California coast; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. Cathedrals of Culture explores how each of these landmarks reflects our culture and guards our collective memory.

From PBS :The dome that crowns Florence’s great cathedral of Santa Maria del Fiore—the Duomo—is a towering masterpiece of Renaissance ingenuity and an enduring source of mystery. Still the largest masonry dome on earth after more than six centuries, it is taller than the Statue of Liberty and weighs as much as an average cruise ship. Historians and engineers have long debated how its secretive architect, Filippo Brunelleschi, managed to keep the dome perfectly aligned and symmetrical as the sides rose and converged toward the center, 40 stories above the cathedral floor. His laborers toiled without safety nets, applying novel, untried methods. Over 4 million bricks might collapse at any moment—and we still don’t understand how Brunelleschi prevented it. To test the latest theories, a team of U.S. master bricklayers will help build a unique experimental model Duomo using period techniques. Will it stay intact during the final precarious stages of closing over the top of the dome?