在二战结束的时候，60分钟未编辑的原片，静躺在一个不受干扰的东德档案库中，随后被发现了。在 1942 年五月在华沙由纳粹党人所拍摄，而且被分类成了 " 犹太人街 "，这片段很快地成为了历史学家寻找华沙犹太人街的一笔真实纪录。但是，在之后发现了一卷长期消失的胶卷，内容包含多样摄影镜头和摄影师显露的场景，以及早前难以解释的连续镜头。一部未完成的电影将全部呈现原始胶片内容，从片中可以注意到虚构的情节（包括一个被设计的宴会）虚假地显现犹太城市居民享有的“好生活”，也深入探查了一卷已经臭名昭著的纳粹宣传影片。这部未完成的电影是一部庞大又重要的电影，记录我们这个时代最严重的恐怖事件，揭露了一些犯罪者努力地推动他们的日常工作事项，并扮演一切在光天化日之下。Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.

本片以2020年1月份的武汉为背景，一个剧组计划恢复拍摄一部停拍了十年的电影，但随着城市因疫情被封锁，他们则要面临着意想不到的挑战。制片人Philippe Bober称本片为娄烨，“最私人的电影……一部电影日记和一个知识分子的证词。这是对中国近代历史的深入了解。”

这部游走于回溯和想象，文字和移动影像之间的创作是基于电影的电影，也是将电影和电影装置（apparatus）再物质化的尝试。在一次去德黑兰的考察中，艺术家和共同写作者重访了在1979年伊朗伊斯兰革命中被焚烧的电影院“一条街”，他们把革命前的伊朗电影和电影院场所作为分析地缘政治和石油政治的透镜。文字、档案、移动影像、电影素材和声音被穿插在真实与虚构的叙述结构中，展现了 “无声的” 历史操纵以及后革命时期伊朗社会状态。战争、欲望与物质之间的纠缠指向一种人造的末世“失乐园”，同时也从历史层面向观众问询激进革命在哪些层面正在向当下扩散。

A car racing movie Hollywood legend and avid racing fan Steve McQueen started production on in the mid-1960s as his passion project, but never completed.

故事讲述了，一对生活在贫困山村中的恋人，因男孩想摆脱贫困，便独自前往大城市打拼。从此音讯全无，此后的日子里女孩便肩负重担，一手托起两家事。直至一声噩耗袭来，女孩的父亲因工受重伤。为了给父亲治病，女孩背负了诸多债务，无奈之下便也去了大城市打拼。在没进城多久后，女孩在大城市里遇到了一位流浪歌手。从此一段解不不开的情愫深深的印刻在了两个人心里。看到女孩的遭遇，男孩对她怜惜呵护。但女孩痛处的心灵却无法再次迎合他人的爱，女孩便悄然离开。男孩却没有放弃寻觅女孩，因为在男孩心里早已埋下一颗情愫的种子。是非难解，对错难分，缘分到了不一定是真缘，或许是一段孽缘的开始。时间能改变一切，包括誓言与真爱。

“A fascinating tale of visionary aesthetics and… sublime structures” – Steve Dollar, THE WALL STREET JOURNAL In 1961, three young, visionary architects were commissioned by Fidel Castro and Che Guevara to create Cuba’s National Art Schools on the grounds of a former golf course in Havana, Cuba. Construction of their radical designs began immediately and the school’s first classes soon followed. Dancers, musicians and artists from all over the country reveled in the beauty of the schools, but as the dream of the Revolution quickly became a reality, construction was abruptly halted and the architects and their designs were deemed irrelevant in the prevailing political climate. Forty years later the schools are in use, but remain unfinished and decaying. UNFINISHED SPACES charts the journey through almost boundless creative ambition, the destructive force of bureaucracy, and the aftermath on the lives of the architects. It’s a stunning film, both in narrative and photographic terms. (Directed by Alysa Nahmias, Benjamin Murray, USA, 2011, 86 mins, NR) HD Digital Presentation

Alastair Sooke explores the mysterious appeal of unfinished works of art. From Dickens's unfinished The Mystery of Edwin Drood and Jane Austen's Sanditon to Coleridge's Kubla Khan, he talks to those who have attempted to finish these literary enigmas and those who believe that any such task is impossible. In a film that picks through literature's leftovers, Sooke explores the moral dilemmas as well as the commercial opportunities finishing presents. And he considers how, in the modern era, artists have purposefully left their work unfinished. Paul Morley, Mark Lawson, John Mullan, Robert McKee, Sarah Churchwell, Gwyneth Hughes, Andrew Motion and Mike Figgis amongst others, help Sooke work his way through a never-ending story.

理想主义者的记者Ozan即将与同职业的Elif结婚。 Ozan在追踪一个神秘而艰难的新闻。 然而一场交通事故夺走了Ozan的生命。 但是，受上天垂怜，Ozan借尸还魂，以他人的身体重生。 好不容易捡回一条命的Ozan有两项艰巨的任务：找出谁杀死了他，并告诉Elif所有事实。

一个单纯的家伙邂逅了一位迷人少女，少女将他从车里哄了出来，由此引发了一系列意想不到的波折与戏剧性事件，还牵扯到他那霸道的父亲，故事在度假村中展开，其间也不乏浪漫情节。