Seven people waiting for their death. A group of assasins - three men and two women - and Gypsy thief spend their time in prison to be tucked up. Within psychological realism, which encompassed the period’s predilection for existential mimicry, Martin Holly created an outstanding film, an adaptation of a story by the Russian author Leonid Andreev. Holly’s The Ballad of Seven Hanged Men (Balada o siedmich obesenych, 1968) reconstructed the fates of seven young anarchists sentenced to death for an attempted assassination. Shortly before their execution, the viewer sees seven different responses to the anxiety that each of the characters experiences. The characters, which are so very different, yet so convincing, change the viewer’s experience every second. These distinctive television movies were shot on film with the participation of several film directors (Martin Holly, Stanislav Barabas, Peter Solan, Juraj Herz, Jozef Zachar) and directors of photography (Stanislav Szomolanyi, Igor Luther, Dodo Simoncic, Vincent Rosinec). Characterised by inventive camera work and stylish musical scores, they include Balada o siedmich obesenych (‘The Ballad of Seven Hanged Men’) by Martin Holly, Sladke hry minuleho leta (‘Sweet Amusements of Last Summer’) by Juraj Herz, Krotka (‘The Meek One’) by Stanislav Barabas, Dama (The Dame), a narrative creative interpretation by Ivan Balada based on the literary work of Svantner, Hornak’s adaptation of Vincent Sikula’s S Rozarkou (‘With Rozarka’), Peter Solan’s Slavny pes (‘The Famous Dog’) based on the short story by Jan Weiss, and Tapak’s Zivy bic (‘The Living Scourge’) based on the novel by Milo Urban and others. Several of these films won prizes at international television festivals. Despite the official closure of Television Film Works in 1971, the dramaturgical and creative potential unleashed there later became the foundation for the development of dramatic television work and its creative culminations in the 1970s and 1980s. (<Slovak film New Wave>) http://www.kviff.com/en/history-years/2006/program/?s=219

This feature-length film, made in 1964, is set on the Austro-Hungarian front during World War One. A lieutenant who participates in the hanging of a Czech deserter is so tormented by remorse that he ends up deserting too, but he gets caught, and is sentenced to death himself.

该片讲述了大型制造商东京建电公司里，两方人员的冲突和较量，一场权力与利益的阴谋种子早在半年前已经埋下，看各路男神狂飙戏。

本片描绘了在社会背后暗中活动、接受他人帮助的“影子军团”的活跃模样。以不起眼为极致的秘书们和管理不善的男子，利用绝密情报和网络，展现出了他们改变不讲理的日本社会的样子。

半年前，大型制造商东京建电的一次例行会议上，作为精英的营业一课课长坂户宣彦（真岛秀和 饰）与本课系长八角民夫（吉田钢太郎 饰）发生冲突。在此之后，坂户背负“职场暴力”罪名黯然离去，而工作业绩平平且性格绵软的营业四课课长原岛万二（东山纪之 饰）接替了他的职务。这位被很多人轻视的“过场课长”临危受命，努力完成前任留下的摊子，同时按照高层的指示对既有的成本管理模式进行彻底变更。某次来自客户的投诉电话，让他意外发现营业部效益提升的秘密，并且坂户和八角那次冲突更像一场盘算已久的阴谋。作为一个随时可以被抛弃的棋子，原岛站在利益和矛盾的漩涡中央，足以撼动东京建电根基的风暴一触即发…… 本片根据池井户润的原作改编。

6个逃跑的囚犯和他们的女人质铤而走险的逃往墨西哥边境，在亚利桑那州的沙漠上他们偶然碰见了传说中遗失的财宝并发现了某种可怕的死亡（有关7个木乃伊的秘密）

在民主德国的夏令营中，卡罗琳和罗比体会到了初恋的滋味。日程安排受到严格规定，只有在戏剧联排中才能获得亟需的自由。影片探讨了政治现实之外，年轻一代的渴望与困扰。

在巴拉圭亚森松闷热的夜晚，17岁的手推车男孩维克多，在平淡无奇的四号市场怀揣着出名的梦想，还渴望拥有一部手机。一次偶然的机会，他获得了一份运送7个盒子的工作，报酬高达100美元。原本看似简单的任务很快变得复杂起来，箱子里的东西引得各方觊觎……

У семи нянек, как известно, «дитя без глазу». Так и случилось поначалу в молодежной бригаде часового завода, которая взяла на воспитание «трудного» подростка. Врожденные актерские данные паренька помогают ему довольно успешно водить своих «опекунов» за нос, ставить в смешное положение, доводя почти до отчаяния. В этом фильме с блеском раскрылся режиссерский талант молодого Ролана Быкова…

William MacPhab loses seven-pounds in the stock market and decides to slap the man who was responsible for the stock manipulation that caused him to lose his money. Astor Terbanks, the stock-market manipulator is surprised the next day when he gets soundly slapped by MacPhab, and the latter promises to deliver one more a day for the next six days. Terbank's daughter, Daisy, is amused by the procedure and is attracted to MacPhab.