一场抢劫事件夺走了一位前警长妻子的生命。这个警长期饱受丧妻的折磨，他发誓找到那次抢案中的七个匪徒，并亲手杀死这7个匪徒。在他的“捕猎”途中，他帮助一对从堪萨斯旅行到加利福利亚的夫妇，而且同时他不得不面对一位他曾经亲手送进监狱的人……

暂无剧情简介

明朝嘉靖年间，嘉靖皇帝求仙炼丹无心朝政，奸臣严嵩独揽朝政勾结祸乱。京城朋党林立人人自危，东南沿海倭患尤甚猖獗一时。虽有戚继光、俞大猷奋力抗敌平息倭患，但溃败的倭寇趁朝政不举天下大乱，勾结恶霸汉奸，流窜于江浙一带，致使民间百姓深受其苦。 在浙江某府，流窜倭寇一夜杀尽万朝观，穿上道服假扮道长，于观内后堂暗设机关，专门暗算前来求签算卦的小姐夫人。一时间，坊间失踪的小姐夫人多达数十人。江浙倭患惊动朝廷，嘉靖皇帝颁旨，着柳远山为钦差大人，以监粮为名，暗查镇南王与倭寇勾结篡乱之事。 柳大人带府内护卫石头秘密前往江南，千金小姐柳飞燕因思念石头尾随而来。柳大人下榻钦差府不便露面，石头拜访天下镖局，请来同门师弟王天虎，以天下镖局走镖为名，暗中进入万朝观。柳飞燕不知其中秘密，任性行由险些落入倭寇于观内后堂设……

第十二屆北京獨立影像展［優秀紀錄片獎］遊走於捷克攝影家寇德卡作品中的個人化視角，和俄國肖斯塔科維奇的音樂及中國的城市聲音相融合，靜止的影像電影化，在此地當下的現實時空中復活。是一次紀錄片向其它藝術形式延展的有效嘗試。

《星球大战7》主演戴茜·雷德利（Daisy Ridley）即将和J·J·艾布拉姆斯（J.J. Abrams）再度合作，出演由后者制片的奇幻浪漫电影《寇玛》（Kolma）。 该片由《少女日记》（Diary of a Teenage Girl）导演玛丽埃尔·海勒（Marielle Heller）执导，根据2003年的以色列电视电影《我拥有的一切》（All I’ve Got）改编。 《我拥有的一切》讲述了一个女人在失去了初恋情人后，又找到了新恋情，并与后一个爱人成家生子，一起共度了几十年，终于她走到了生命尽头。死后她得到了一个复活的机会，可以选择继续和家人生活下去；或是忘记她现有的生活、回到年轻时代与初恋情人再续恋曲…… 《寇玛》是玛丽埃尔·海勒（Marielle Heller）导演的第二部电影。

这七部短片展现了真实生活的不同侧面，讲述了复杂婚姻、网络恋情、家庭困境和校园欺凌等问题。

Captain Ambrose comes from a long line of distinguished sailors...but is all too susceptible to seasickness. After the war, he buys himself a nautical command on shore; a decrepit amusement pier at the British resort town Sandcastle-on-Sea, whose prim town council has outlawed arcade games as a form of gambling! Running the pier like a naval vessel, the captain's determination to make it a modern, going concern meets steady opposition. But with an unexpected new ally, he pursues a remarkable scheme to liberate his "ship" from land authorities...

Czech Photographer Josef Koudelka grew up behind the Iron Curtain and always wanted to know "what was on the other side". Forty years after capturing the iconic images of the Soviet invasion of Prague in 1968, the legendary Magnum photographer arrives in Israel and Palestine. On first seeing the nine-meter-high wall built by Israel in the West Bank, Koudelka is deeply shaken and embarks on a four-year project in the region which will confront him once again with the harsh reality of violence and conflict. Director Gilad Baram, Koudelka's assistant at the time, follows him on his journey through the Holy Land from one enigmatic and visually spectacular location to another. In each location - soon to become a new "Koudelka photo" - a new scene unfolds, gradually introducing us to Koudelka's method of working and his perception of the world he is documenting as well as the people he encounters. A fascinating dialogue emerges between Baram's cinematography and Koudelka's still photographs...