The Impressionists, a three part factual drama for BBC ONE, vividly reconstructs the movement's remarkable story. 　　Based on archive letters, records and interviews from the time, the series records the lives of the artists who were to transform the art world. 　　It is a tale of poverty and of a struggle for recognition, set against a backdrop of war and revolution. 　　But at the heart is the brotherhood of artists, bound by enduring friendships and their commitment to a new type of art which survived rows, rivalries, duels and crises. 　　The story is led by the paintings. Some of the world's most memorable art works are recreated here following the same techniques that the artists used at the time. 　　The series reveals how Monet took just 40 minutes to paint his seminal work Impression: Sunrise in a race against time to capture the light; why Manet's depiction of Olympia, in which his model brazenly gazes out of the canvas, so outraged Parisian society; and how Cézanne's 60 paintings of one mountain, Montagne Saint-Victoire, laid the foundations for cubism and modern art.

《三十二》试图走进一个“慰安妇”的内心世界，是一部纪录片。“慰安妇”这三个字，曾经在多少中国人心里被披上“中国耻辱”的外衣。曾几何时，又是多么敏感的一个词。多少人想揭，却不敢活生生揭开；多少人想拍，又怕打扰到她们的生活。这是一段疼痛的历史，每个中国人心知肚明。 　　尘埃无足 轻重，所以无人留意，影片的第一个镜头便是飘落的尘埃，足足三十二秒，隐喻着我们的视角和态度，讲述这一段真实却“随风飘落”的故事…… 　　荣誉 　　侵华日军南京大屠杀遇难同胞纪念馆/南京利济巷慰安所旧址陈列馆－永久馆藏 　　2013中国纪录片学院奖－最佳摄影（蔡涛） 　　2014凤凰视频纪录片大奖－最佳纪录短片 　　2014英国万像国际华语电影节－最佳纪录片 　　2014滨海国际微电影节－最佳纪录片 　　2015中国民族题材纪录片回顾 展－特别奖 　　2015美国里士满国际电影节－最佳纪录片（提名） 　　展映 　　中国电影导演协会 　　北京（国际）大学生影像展 　　马尼亚人权国际电影节 　　英国梅德韦视野电影节 　　美国纪录片电影节 　　广州国际纪录片节 　　观看地址：http://www.iqiyi.com/v_19rr9p3eqk.html 　　预告片：http://www.tudou.com/programs/view/aRLUdweMLfg/

Never was a world so completely turned upside down as with the arrival of the Impressionist School. Cezanne, Seurat and Manet all produced inspirational and at the time even controversial works which completely revolutionized thinking in the world of art.

任何艺术家都不能无视印象派的存在，他们率先从几个世纪的停滞不前中挣脱出来，在笔触和色彩的使用方面，给绘画带来了重大突破。但在成就革命性的技法之前，它首先是一种审美的需求，一种文化的需要。 　　2019年，从未对公众开放过的意大利波拿巴宫（Palazzo Bonaparte）史无前例地敞开大门，迎来这场筹备数年的特展——“神秘的印象派”。莫奈、塞尚、马奈、卡耶博特、毕沙罗、雷诺阿、莫里索、高更等印象派大师此前从未公开面世过的50幅私人收藏作品一经亮相，旋即吸引全世界的目光。通过高清镜头和大银幕的极致视觉体验，观众可以沉浸在这场弥足珍贵的展览中。 　　印象派画家眼中的世界有何神秘之处？自然界的物体、色彩和光影如何转换为他们笔下的梦幻表达？这个流派是如何在短短几年内，从备受嘲笑到收获全世界的追捧？特展的两位策展人——Claire Durand-Ruel（艺术史学家/印象派作画经销商鼻祖 Paul Durand-Ruel 的后裔）和 Marianne Mathieu（玛摩丹美术馆首席策展人）联合多位画家、艺术史学者、历史学家贡献的专业讲解，有助于深入了解印象主义运动——这场艺术史上最具争议的运动是如何历经坎坷，获得最后的荣光。

Gang of Four 　　Episode 1 of 4 　　Duration: 1 hour 　　Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists. In the first episode, Waldemar delves into the back stories of four of the most influential Impressionists - Pissarro, Monet, Renoir and Bazille - who together laid the foundations of the artistic movement. He finds out what social and cultural influences drove them to their style of painting, how they were united and how ultimately they challenged and changed art forever. 　　Waldemar journeys from the shores of the West Indies, to the progressive city of Paris to the suburbs of South London, where these four artists drew inspiration from the cities and towns in which they lived. Whether it be the infamous spot on the river Seine - La Grenouillere - where Monet and Renoir beautifully captured animated people, iridescent light and undulating water or the minimalist, non-sensationalised illustrations of Pissarro's coarse countryside paintings, Waldemar discovers how the Impressionists broke conventions by depicting every day encounters within the unpredictable and ever changing sights around them. 　　------ 　　Painting outdoors 　　Episode 2 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists by taking us outdoors to their most famous locations. Although Impressionist pictures often look sunny and relaxed, achieving this peaceful air was hard work. Trudging through fog, wind and rain, across treacherous coastal rocks and knee-deep snow, Waldemar shows how the famous spontaneity of the Impressionists is thoroughly misleading. 　　This episode visits the French riverside locations that Monet loved to paint, and where Renoir captured the bonhomie of modern life. Waldemar also introduces a number of technical and practical developments of the age which completely revolutionised Impressionist painting - the invention of portable easels; the use of hog's hair in paint brushes; as well as the introduction of the railway through France. And a scientific demonstration in a Swedish snowdrift explains just how right the Impressionists were to paint brightly coloured shadows in their winter scenes, despite being accused of 'hallucinating' at the time. 　　Finally, Januszczak explains Cezanne's part in the Impressionist story from his dark and challenging early work to his first rural landscapes in France, and then his departure from Paris and separation from the Impressionist gang. 　　------ 　　Painting the People 　　Episode 3 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists, focusing this time on the people they painted and in particular the subjects of Degas, Caillebotte and the often forgotten Impressionist women artists. The Impressionists are famous for painting landscape but they were just as determined to paint people. 　　Looking closely at one of Impressionism's finest painters, Edgar Degas, Waldemar reveals how he consistently challenged traditions and strove to record real life as it appeared in the city, from sculpting the contorted movements of horses in motion at the Longchamp race course in Paris to encapsulating extravagant 3D viewpoints of the ballet dancers at the Paris Opera. 　　Waldemar also uncovers the intoxicating haziness the pastel produced in Degas' work when visiting his supplier Pastels de Roche. He also reveals the unusual viewpoints and dramatic perspectives of Caillebotte's paintings from the Place de L'Europe and the rebellious and revolutionary art of Morisot, Bracquemond and Cassatt, three impressive female artists who were eagerly embraced by the progressive movement of Impressionism 　　------ 　　Final Flourish 　　Episode 4 of 4 　　Duration: 1 hour 　　This episode takes a closer look at the late years of Impressionism, using the last show these artists did together as a starting point. 　　Waldemar looks in considerable depth at the work of Georges Seurat, taking into consideration his academic training at the Beaux-Arts School in Paris and the artists that influenced him, such as Piero della Francesca and Puvis de Chavannes. 　　There is also an insight into the complex but fascinating world of optics and art, and the ways in which the Impressionists were using the new discoveries in light and eyesight to influence their work. A fascinating 'after-image' experiment brings to life the ways in which our own eyes see colour, both in its presence and its absence. 　　Van Gogh's time in Paris, a period very little is known about, is also covered, charting the incredible journey the artist made from his brown and dull canvases to the splendid colour and light that pervaded his work on the cusp of his departure for the South of France. 　　The film finishes with a revisiting of Monet and his later waterlily paintings in the Orangerie in Paris. Waldemar investigates how a bad case of cataracts was responsible for a seismic shift in his colour palette and his brushstrokes. Spending time with an ophthalmologist, he finds out how old age and a fairly common ailment of the eyes caused Impressionism to shift and become radical again at the turn of the century and into the 20th century

明太祖朱元璋驾崩，传位长子之子朱允炆（陈山聪饰），但遗诏不知所踪，其近身侍卫敖笑风（谢天华饰）奉命追查，在查探过程中认识了燕王朱棣（马德饰）的得力谋臣马三保（陈键锋饰），二人斗智斗力，惺惺相惜，但笑风得知朱棣正密谋夺位，唯对三保保持戒心。笑风一次执行任务受伤失忆，由心狠手辣的作风变回有恻隐之心，一向痛恨锦衣卫的永晹公主朱樱（江若琳饰）却怀疑性情变好的笑风另有图谋，着好友三保小心防备。 　　失掉记忆后的笑风虽续受允炆重用，却对身边人心存疑虑，像神秘女子沈千三（徐子珊饰）和为人深藏不露的朱棣，每次碰面总让他内心泛起一种难以形容但熟稔的感觉；在一次奉命歼灭朱棣的行动中笑风得知了一个秘密，令他身陷义愤与自责的交战中……

明太祖朱元璋驾崩，传位长子之子朱允炆（陈山聪饰），但遗诏不知所踪，其近身侍卫敖笑风（谢天华饰）奉命追查，在查探过程中认识了燕王朱棣（马德饰）的得力谋臣马三保（陈键锋饰），二人斗智斗力，惺惺相惜，但笑风得知朱棣正密谋夺位，唯对三保保持戒心。笑风一次执行任务受伤失忆，由心狠手辣的作风变回有恻隐之心，一向痛恨锦衣卫的永晹公主朱樱（江若琳饰）却怀疑性情变好的笑风另有图谋，着好友三保小心防备。 　　失掉记忆后的笑风虽续受允炆重用，却对身边人心存疑虑，像神秘女子沈千三（徐子珊饰）和为人深藏不露的朱棣，每次碰面总让他内心泛起一种难以形容但熟稔的感觉；在一次奉命歼灭朱棣的行动中笑风得知了一个秘密，令他身陷义愤与自责的交战中……

孤女安妮娅仁慈善良，尽管她受到一个恶毒老女人和她的卑鄙女儿的奴役，小安娅也从没有丧失信心和乐观。风雪交加的一天，安娅被逼寻找一些只有在春天才会开放的花儿，她在森林中迷了路，却碰见了神秘幽灵十二个月，鉴于安娅的仁慈，幽灵使花儿们神奇地为她开放了。但是，当老女人再次威逼安娅返回森林时，幽灵出现了……

改编自《格林童话》同名故事。 　　很久很久以前有个国王，他有十二个女儿，个个长得如花似玉。她们都在同一个房间睡觉，晚上上床睡觉后，房门就被关起来锁上了。然而，每天早上起来后，国王发现她们的鞋子都磨破了，就像她们跳了一整夜舞似的。到底发生了什么事，她们到哪儿去过了，没有人知道。 　　直到有一天，一位受伤的士兵来到了这里……