One of those courageously provoking and smashing films that make you breathless, restless and uncomfortable. This unique, wise and rough blend of cinema, theatre, musical and comedy will radically divide spectators and critics for their differing opinions. A political, cruel and original film spiced with dark humour, which makes an urgently needed and impactful statement against injustice, prejudice, discrimination and racism against the Roma people, the biggest European minority. Everything you see is part of the play “Gypsy Hungarian” performed at Deutsches Theater Berlin. An all-Roma creative team worked together for six years, backed by the Open Society Foundation, to educate marginalised Roma youth through performance art training. The leading characters never hide their true names as they talk, shout, joke, lie, debate, or doubt directly to our faces without a fourth wall. Gypsy boys and girls interpret, sing, dance, satirise their own painful life stories, recurring traumas or unfortunately real experiences with scars on their hands. Musician and traffic warden Edmond rushes to clear his name, although he never had sex with his sisters. Drug dealer Mario is a wannabe poet. Professional dancer Romeo is laughed at by the audience and suffers domestic violence. The first Gypsy palaeontologist Cristopher tries to become temporarily rich through brutality. Szintia encounters a shady guy who threatens to sell her to Romania as a whore. They are demoralised, exploited, ridiculed, criminalised and disgusting, but they are also people like us. This film is not seeking the audience’s compassion. The camera moves, spins, rides, slides, turns, lurks, and pans down with intentions to fool us that it may be a one long continuous shot with a fruitful and unparalleled supporting cameo role by former Berlin’s Panorama Big Boss Wieland Speck and a real Gypsy house, magnificently delivered to the stage in 3,000 numbered pieces, full of smoke and filth. Ádám Császi received an unofficial five-year ban on filmmaking for his debut “Land of Storms” in Panorama at Berlinale 2014 (probably the first Hungarian gay coming-out film ever made). He continues to bravely oppose the systemic authoritarian Orbán-regime, which may possibly bring him another punishment.

暂无剧情简介

Against a dark background, several bright, curved or rounded shapes pulse towards the center of the screen, one at a time. They are followed by many other shapes, some irregular, some pointed, others rounded. The abstract shapes move into or across the screen in harmony with the musical score.

暂无剧情简介

As early as 1909, Walter Ruttmann explored the artistic properties of the film. His theoretical and practical work led in 1919 to the first "absolute film", Opus I. Ruttmann placed "painting more time" halfway between painting and music.

Paul, an American composer, arrives in the desert town of Real de Catorce where his father recently died. For the past ten years, Paul has been consumed with the task of composing an ending for the masterpiece of an early twentieth century musician. Being isolated from the world, he sees an opportunity to finish the symphony. However, Paul is caught up in a new mystery, the disappearance thirty years ago of a woman named Marianne.

在一个偏远的小镇上，单身母亲黎萍和女儿相依为命。经朋友介绍，黎萍到纺织厂工作，以此支持女儿黎明紧张的高三学习。然而，刚到纺织厂的黎萍很快就遭遇了不公平待遇，工厂规定所有女工都要剪掉头发，黎萍为此犹豫不决。与此同时，女儿黎明在学校也遇到了类似的事情。黎明有一头漂亮的长发，可学校规定所有学生必须留短发，她的与众不同引来了学校领导陆主任的刁难。黎明的老师张莉莉在和她交流时，了解到了她不得不留长发的隐情，并且承诺帮她向学校解释，可就在这时，悲剧发生了。

年轻的巴勒斯坦女教师即将在以色列的监狱里诞下孩子。为守护这个新生命，她怀揣着希望坚强求生。

沐长宁因判词被父母虐待弃养，幸得师父收养并习得医道。后家中为避嫡妹沐小婉替七皇子挡煞的婚事，逼她代嫁，她欣然应下并让全家吃瘪。却遭沐小婉算计中迷香，出逃寒潭解毒时，与潭底戴面具男子发生关系。她暗喜传闻中七皇子无法圆房，可新婚夜竟发现夫君七皇子与寒潭男子极为相似。