暂无剧情简介

影片以常见的媒体材料报纸为拍摄对象，运用定格动画的形式，呈现了文字媒介的生成与消亡过程。这些报纸均从回收站获取，内容记录的是当时的典型事件，原本它们会被回收制成纸浆，重新印刷。而本片通过动画赋予了它们一种新的循环，旨在探讨事件在时间长河中的无力感以及被遗忘的命运。

This BBC produced documentary about Yukio Mishima highlights the many known major aspects of his life and personality. Mishima was a pen name he adopted en route to his chosen life as a writer. He eventually became recognized as one of Japan's most prolific post-World War II writers, producing stories, plays and novels. He became tortured by his bisexuality/homosexuality and shyness around people as a young man. Both of these played a role in his work as did many other eventful occurrences throughout his life. Mishima had an admirable dedication to the forgotten samurai way of life and ideals, which later turned into an unhealthy obsession, culminating in the storming of a general's garrison on November 25, 1970. It was Mishima's way of combining beauty, art, and action; ultimately the garrison forced to assemble and listen to his speech on that day rejected him. Mishima gave his life for his ideals, however misguided and twisted one might think him to be. His literary output of 40 novels, 18 plays (both for Noh and Kabuki theater), 20 books of short stories, 20 books of essays, and a film remain a testament to his talent despite his simultaneous tendency, at times, to be commercial, controversial, and unconventional.

儿时，上官淳儿与母亲被主母欺压，年幼的她就被毒哑了嗓子。绝望之时，一颗糖，牵起了两个年幼的孩子纯真的友谊。多年后，上官淳儿决心为了保护娘爬到最高处，可事与愿违，嫡姐将她的尊严踩在脚下、爱人将她当做替身、甚至就连年幼拯救自己于水火之人，都一心只有利用。历尽千帆，她得到了所有，也失去了所有。繁华宫门中你死我活，却没有人是真正的赢家。

根据真实故事改编，丫丫(常若熙 饰)是个听障儿童，她因为先天听力残疾不能和其他孩子一样到学校上学。刚毕业的大学生方燕(熊珂饰)决定去山区支教，认识丫丫后发现她非常聪明并渴望学习，方燕决定单独教丫丫说话和学习，通过方老师和社会各界爱心人士的帮助及丫丫自己的努力，最终丫丫站到了演讲台上。

丢了女儿的秦腔艺人费呈邪为还债带剧团唱堂会却求演无门。困境中与失手杀了养父的女孩蔺柯蓝相遇，二人产生奇妙父女情。蔺柯蓝不惜卖笑为“父亲”揽活，费呈邪则倾力庇护身份成谜的“女儿”。债务还清，可自觉成为累赘的蔺柯蓝为了一丝父爱，只能继续流亡。

上世纪六十年代，哑娘张秀云与孤儿李更生相恋未婚先孕，李更生遭村霸张\n黑娃逼迫出逃，临行前为孩子取名 “念念”。张秀云拒绝张黑娃逼嫁、卖女的\n要求，独自生下女儿张念念，靠织绣、编席、浆洗艰难度日，却屡被张黑娃欺凌，\n还被栽赃偷粮，因口不能言、不识字而有苦难言。

暂无剧情简介

\n儿时，上官淳儿与母亲被主母欺压，年幼的她就被毒哑了嗓子。绝望之时，一颗糖，牵起了两个年幼的孩子纯真的友谊。多年后，上官淳儿决心为了保护娘爬到最高处，可嫡姐将她的尊严踩在脚下、爱人将她当做替身、甚至连年幼拯救自己于水火之人，都一心只有利用。