人们常说十三个人参加的晚餐会有厄运。你相信吗？当波洛受邀加入查尔斯爵士这次不吉利的晚餐后，诅咒灵验了。牧师巴宾顿先生突然死在了众宾客面前。但死神并未因此停住脚步，凶手亲自在大侦探波洛的眼前拉开了这场谋杀的序幕。杀人的剧作不断地上演，相同的演员，相似的布景，相近的情节。死亡的威胁甚至降临在波洛自己的身上……

本片是影星彼得·乌斯蒂诺夫第五次扮演比利时大侦探波洛，在片中，波洛又一次充当了谋杀的见证人。这一次是在已退出舞台的著名演员查尔斯·卡特莱特家。牧师巴宾顿喝了一杯鸡尾酒后突然死于非命。他的死因还未查明，卡特莱特的挚友斯特兰奇医生也倒毙于自己家的一次宴会中。应其心爱的姑娘蛋蛋之约，卡特莱特开始调查这两起离奇死亡事件，波洛也不请自到地成为侦探小组的一员，并且成功地揭露了凶手。

Generations of artists call Robert A. Nakamura “the godfather of Asian American media,” but filmmaker Tadashi Nakamura calls him Dad. Robert’s diagnosis of Parkinson’s disease leads to an exploration of art, activism, grief, and fatherhood. Director Tadashi Nakamura was in many ways born into filmmaking and his father’s career, appearing as a crying baby being sent to a Japanese American concentration camp in Robert’s landmark film Hito Hata: Raise the Banner (1980). In Third Act, Tad tells the story of his father, his life and career, and the profound influence it has had on Tad’s sense of self, artistry, and citizenship. With Robert in the last stage of his life and Tad a father himself, Tad looks to the past and the future with a searching curiosity of what legacy means and how it can be lived. With a poignant relevancy to this moment in American history, Third Act is an intimate and emotional story of the Asian American experience in its political, historic, personal, and artistic fullness.

从彼季帕名作所承载的古典芭蕾传统，到让英式芭蕾绽放于世界舞台的英国本土编舞作品，这场芭蕾选段的荟萃，充分展示出英国皇家芭蕾舞团作为世界一流舞团的多元视野与全面技巧。 彼季帕的《雷蒙达》第三幕将高超炫技的俄式芭蕾汇集在了一幕的时长之中，两位首席舞者娜塔莉亚·奥西波娃（Natalia Osipova）和瓦季姆·蒙塔吉诺夫（Vadim Muntigirovand）联袂，将其中的女变奏和大双人舞等华彩段落演绎得淋漓尽致；交响芭蕾《谜语变奏曲》以爱德华·埃尔加（Edward Elgar）的动人旋律和阿什顿（Frederick Ashton）标志性的编舞风格，被誉为英式芭蕾之典范，此版中劳拉·莫雷拉（Laura Morera）、马修·鲍尔（Matthew Ball）等明星舞者的加盟，再次激发了舞作的魅力；而编舞大师肯尼斯·麦克米兰（Kenneth MacMillan）的《协奏曲》则将古典芭蕾技巧与当代风格完美融合，同其他两部作品一起，将英国皇家芭蕾舞团的丰厚历史遗产与传承，完美地展现给当代观众。

占婆是托尔布尔村的一名工人，她遭到雇主和警察的轮奸。由于罪犯与当地工作重点存在直接关联，他们得以逍遥法外。直至一位勇敢的女警介入，才为这位强奸案幸存者讨回了公道。

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.

主演：王飞娟 罗克朋 类别：剧情 导演：任彭年 编剧：李法西 影片片长：100分钟 上映地区：中国 语言版本：默片 画面颜色：黑白 江翠英与父亲以街头卖艺为生，江父身染重病在旅馆休息，翠英独自一人去卖艺却不想被流氓骚扰，所幸遇到富商黄肃和相助，翠英在上街为父买药时又遇到流氓欺辱，回到旅馆时发现父亲已经去世，为了感激黄家，埋葬父亲后，翠英自愿到黄家为仆。在黄家，翠英与黄肃和的儿子少和相处愉快，但黄肃和却禁止儿子与翠英来往。一天，黄肃和遇到朋友秦天侠并因此认识了其表妹萧雪红，两人从此来往密切。有一次黄肃和以为儿子妄图非礼萧雪红把儿子赶出了家门，一天，黄肃和与雪红外出解闷，途中被人掳去，经过黄少和与众多警察的努力，黄肃和得以获救，令人惊异的是，掳人者竟是秦天侠，其表妹萧雪红其实是同谋

人都想变美，用种种手段柔和脸庞的弧线，增添脸部的光泽。想马上实现愿望么？要学会运用工具，最重要的是学会“undo”。 毕加索的名画《Weeping Woman》，让画中的主角告诉你她“变美”的故事。 本片荣获了2005 台北金马国际数位竞赛最佳台湾影片，2005 美国年度电脑动画大展电子剧院观众票选最佳影片奖。

赛迪（布里安娜·希尔德布兰 Brianna Hildebrand 饰）和麦凯拉（亚历山德拉·西普 Alexandra Shipp 饰）是青梅竹马的好友，两人共同创办了名为“悲剧女孩”的推特公众号，报道当地发生的大大小小的杀人案件，并且试图追踪案件背后的真相。 两个姑娘最大的愿望就是希望她们的公众号能够一炮而红，甚至为了有能够报道的新闻而不惜成为凶杀案的制造者。可是，很快她们便发现，对于这些她们亲手犯下的罪案，当地警方总是以“意外”为幌子试图隐瞒案件。乔丹（杰克·奎德 Jack Quaid 饰）是赛迪和麦凯拉的“助手”，帮助她们剪辑和发布视频，与此同时，乔丹也是警长布兰恩（蒂莫西·墨菲 Timothy V. Murphy 饰）的儿子。终于，“悲剧女孩”走红了，但同样飘红的，还有两个女孩之间的友情。