全片以环保电影为基调，却能够重新扩展出一个崭新的视角。片中定睛注视三个即将因暖化现象而消失的美丽岛屿：太平洋上的吐瓦鲁，纯朴却丰富的常民生活；欧洲水都威尼斯，淹水时仍然营运的旅馆、酒吧，如同幻梦；以及美洲阿拉斯加的冰上山崖。镜头对地球上难以置信的美景和迥异的文化仪式，深致赞美与叹惋。跳脱环保纪录片的格局，充满省思与诗意。

Considering the underground as both a metaphor and a manifest reality, Zheng’s film Sinking Latitude focuses on a myth about underground flooding. The city where the story takes place has a history of salt mining that spans more than 2000 years, and generations of residents who have lived there have passed down a prophetic myth for centuries–that due to excessive mining, the city's underground has long been hollowed out and depleted, filling with salty brine, and that one day, when an earthquake occurs, an underground flood of salty liquid, the mine itself, will surge out and engulf the city. Zheng’s film takes the form of a fictional dialogue between three characters—puppy, master, and dinosaur—as they discuss this myth. The master has lost their memory of the flood myth, and the puppy takes on the task of recovering this memory with the help of the dinosaur, who represents the impact of time on reality. Through their conversations and questions, the group begins to uncover how the fear of an unknown disaster has affected their perception of the world. The film traverses different locations, making the underground visible, and providing views of cityscapes, a site of dinosaur fossils, salt wells, an abandoned salt factory and its residencies, and sequences of miners using archaic techniques within a salt mining museum, at once performing and working. The landscape is viewed as a perforated body that is littered with debris and risk, with the wells at once towering and deeply rooted in the ground. This documentary-like footage is integrated with scenes shot in the studio or borrowed from the internet, as well as black and white still images of dinosaur bones, and animated footage of the puppy and flooded underground landscapes implying the oncoming future. Indeed, Sinking Latitude continuously crosses temporalities, merging deep time with lived time, recalling past events while also reflecting on relationships in the present, and nervously discussing the uncertain catastrophe that lies ahead. Imagining a hollow and flooded world of liquid salt, Zheng’s film fractures notions of time, agency, and visibility, charting both a feeling of groundlessness, and a fluid bond between geology, biology, and biography. The narrative certainly prompts a reflection on the increasing climate catastrophe and apocalyptic thinking, yet it is more a rumination on time and places where myths, identities, and communities come together, where memories are formed, congealed, and concretized, and realistic fears are displaced as stories. Here, myth is shown to be intimately tied to memory, not only a personal or collective, but also primeval and hydrological.

俄国战争期间，一支红军游击队遭到德国军队伏击，被困山林。游击队员索特尼科夫（Boris Plotnikov 饰）和雷巴克（Vladimir Gostyukhin 饰）奉命离开部队，寻找补给。两人穿过茫茫雪原，在某个信奉基督的村长（Sergei Yakovlev 饰）家中寻得一头羊。返回途中却因迷路与一小股德国士兵遭遇，枪战中索特尼科夫负伤，两人奋力逃脱，躲进一户人家。不久后三个白匪不期而至，并发现他们的行踪。 成为俘虏的索特尼科夫和雷巴克被带入德国军营，共同面临着人生最大的考验…… 本片根据贝科夫的中篇小说《索特尼科夫》改编。

A young environmentalist wakes, trapped, kidnapped in the elevator of a super high-rise building at the mercy of her tormentors

安东·尤金主演的科幻短片[Rise](2014)将被改编为长片。短片导演大卫·卡莱克将继续执导。故事设定在一个乌托邦式世界，人类创造的人工智能失去控制，人和机器的大战在所难免。曾打造[血战钢锯岭]的制片人布莱恩·奥利弗、约翰尼·林担当本片制片。

A group of young Black people, mainly immigrants from the Caribbean, have occupied the public space of the Toronto underground to perform their agitprop concept of edutainment - poets, rappers, singers and musicians.

小金人得主强强联手，卡西·阿弗莱克、阿方索·卡隆打造未定名恐怖题材新剧。该剧由阿弗莱克主演，卡隆自编自导，二人共任执行制片。这也是卡西·阿弗莱克出演的首部电视剧集。新剧剧情等内容目前尚未透露。Anonymous Content(《黑客军团》)担任制作。该剧将于明年登陆有线电视台及流媒体。

继《创：战纪》的导演约瑟夫·科金斯基在今年3月获迪士尼邀请加盟之后，女主奥利维亚·王尔德近日也宣布回归。随着两位主演回归第三部《创：上升》，就意味着男女主人公的冒险还将继续。再加上早已确定的男主加内特·赫德兰，两人将继续饰演科技天才萨姆·弗林和电子人葵拉，但在前作中都有出演的杰夫·布里吉斯则还无消息。根据之前的消息，《南极大冒险》编剧大卫·迪吉里奥将为《创：上升》操刀剧本，故事大纲目前还未向外界透露。按照计划，本片将在今年10月上旬在温哥华开始拍摄，预计2016年2月杀青。《创：升天》是整个《电子世界争霸战》（TRON）系列的第三部影片，第一部《电子世界争霸战》于1982年推出，几乎隔了30年之后，才于2010年拍摄续集《创：战纪》，第三部本来在2012年就已提上议事日程，导演科金斯基在2013年接受采访时，也表示第三部肯定要上马，和前作相比，其剧本将“具有更广泛的吸引力”，但直到今年才有班底搭建的消息传出。电影“TRON”系列拍摄完成两部，分别是《电子世界争霸战》（TRON ，1982）、《创：战纪》（Tron: Legacy，2010）。《创：上升》是该系列的第三部，仍然由第二部的导演约瑟夫·科金斯基执导。前两部的故事都是讲述主人公进入电脑世界当中的历险，第一部因为完成于1982年，对于电脑特效的尝试使用在当时引发热议。时隔20年之后，第二部的问世，虽然也有技术和视觉上的创新，但整体效果已经不是好莱坞大片中的佼佼者。片方迪士尼还没有公布完整的演员名单，上一部的主演加内特·赫德兰是唯一确定回归的演员。稍早前奥利维亚·王尔德在出席纽约翠贝卡电影节时谈到了《创：上升》的拍摄计划:“我也听说影片今年十月会开拍。”随后她还提到，《创：战纪》续集之所以会等到现在才确定拍摄，全都是“为了寻找到最合适的故事。”她还透露已经看过一版剧本，至于续集故事会有怎样的情节，则可以从王尔德对其所饰角色科拉的阐述中觅得一些蛛丝马迹“我非常好奇科拉在真实世界中会有怎样的遭遇，电子人生活在真实世界中这个想法实在太棒了。”《创：战纪》投资1.7亿美元，全球票房仅过4亿，所以片方对于《创：上升》的开拍迟迟没有开绿灯，影片预期在2016年上映，但是按照筹备进度来看，有很大的可能性会延期。迪士尼取消推进影片《创：上升》，《创战纪》科幻系列或就此打住不再继续 。

90 年代沿海渔村，林月被母亲逼迫替妹出嫁，本以为踏入困境，却在周家被万般珍视。婆婆疼她如亲女，处处撑腰；丈夫周海生外冷内热，全心守护。林月善良坚韧，持家旺家，日子越过越红火。面对娘家贪婪纠缠与妹妹无理搅闹，周家全员力挺，林月果断告别过往，在爱意与守护中，从隐忍孤女逆袭成被全家宠爱的幸福媳妇，收获圆满人生。